Garage Rock and Its Roots

Eric James Abbey

ISBN 10: 0786425644 / ISBN 13: 9780786425648

Published by McFarland and Co Inc, US, 2006

About this Item

When British rockers invaded the United States in the 1960s, youths responded by growing long hair and playing electrified music in suburban garages. Garage rock has grown from a hobby of the rebellious to a cultural statement: anything not mainstream, from alternative country to hardcore punk, can be included in the realm of contemporary garage rock. Issues of rebellion, clothing and hair styles, playing styles, nostalgia and "selling out" permeate the modern culture of garage rock. Pure rock from the '50s, '60s and '70s and older root styles such as swing and rockabilly have been reasserted in this form, leaving the confines of garages for clubs and other venues where fans' tastes are tuned to the underground. This study explores garage rock as it evolved alongside mainstream music and examines how it reflects notions of self though the assertion of individuality and rebellion in prosperous postmodern times. Using the Detroit music scene as the focus, the author presents two sections. The first section examines the creation of the scene, the importance of relationships to the past and the appearance used throughout. The second section analyzes the alliances and relationships to society that undergird contemporary garage rock. The author maintains garage rock has developed a place in American cultural history, and its continuation will be based on how the underground situates itself within postmodern society.

Seller Inventory # LU-9780786425648

Bibliographic Details

• Title: Garage Rock and Its Roots
• Publisher: McFarland and Co Inc, US
• Publication Date: 2006
• Language: English
• ISBN 10: 0786425644
• ISBN 13: 9780786425648
• Binding: Paperback
• Condition: New
• Weight: 340 grams

About this title

Synopsis

When British rockers invaded the United States in the 1960s, youths responded by growing long hair and playing electrified music in suburban garages. Garage rock has grown from a hobby of the rebellious to a cultural statement: anything not mainstream, from alternative country to hardcore punk, can be included in the realm of contemporary garage rock. Issues of rebellion, clothing and hair styles, playing styles, nostalgia and "selling out" permeate the modern culture of garage rock. Pure rock from the '50s, '60s and '70s and older root styles such as swing and rockabilly have been reasserted in this form, leaving the confines of garages for clubs and other venues where fans' tastes are tuned to the underground.

This study explores garage rock as it evolved alongside mainstream music and examines how it reflects notions of self though the assertion of individuality and rebellion in prosperous postmodern times. Using the Detroit music scene as the focus, the author presents two sections. The first section examines the creation of the scene, the importance of relationships to the past and the appearance used throughout. The second section analyzes the alliances and relationships to society that undergird contemporary garage rock. The author maintains garage rock has developed a place in American cultural history, and its continuation will be based on how the underground situates itself within postmodern society.

About the Author

Musician and award winner Eric James Abbey teaches at Oakland Community College. He lives in Detroit, Michigan.