In the 1950s, science fiction invasion films played a complicated part in supporting and criticizing Cold War ideologies. By reading these invasion narratives as performances of middle-class, white Americans' excitement and anxiety about social and political issues, George shows how they often played out as another round in the battle of the sexes.

About the Author

Susan A. George is Lecturer in the Karen Merritt Writing Program at the University of California, Merced, USA.

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