Generating Theatre Meaning : A Theory and Methodology of Performance Analysis

Rozik, Eli

ISBN 10: 184519330X / ISBN 13: 9781845193300

Published by Liverpool University Press, 2010

About this Item

Seller Inventory # 11820700-n

Bibliographic Details

• Title: Generating Theatre Meaning : A Theory and Methodology of Performance Analysis
• Publisher: Liverpool University Press
• Publication Date: 2010
• Language: English
• ISBN 10: 184519330X
• ISBN 13: 9781845193300
• Binding: Soft cover
• Condition: New

About this title

Synopsis

This book offers a theory and methodology of performance analysis as an alternative to traditional play-analysis. The underlying theme is that theatre performance is a descriptive text generated by the theatre medium and that the process of generating meaning takes place in the actual encounter between a theatre performance and the spectator. Many new understandings result, including how the theatre medium is iconic in the new sense of operating images of real or mental models, and how this impacts on the verbal text and stage metaphor; how poetic principles structure fictional worlds and bestow unity and wholeness on performance-texts; how a dialogue between implied director and implied spectator is inscribed in the performance-text; and how the implied spectator is characterised by functions of framing, reading, interpreting and experiencing a performance-text. It follows that actors' bodies on stage fulfil functions of textuality, metatheatricality, personification, characterisation and aesthetic effect. An Introduction surveys major contributions made to a methodology of performance analysis, particularly throughout the twentieth century, and problematises the main issues. Part I is devoted to the semiotic substratum of the performance-text, i.e. to the theatre medium and its basic means of generating theatre texts and meaning. The innovation of this approach lies in seeing theatre first and foremost as a non-verbal medium. Part II deals with the poetic structure of fictional worlds described by the theatre medium and the metaphoric and rhetoric structures that operate on the level of relationship between the description of such a world and the world of a spectator. Part III contains analyses of actual performance-texts that illustrate the application of principles previously presented. This is the first comprehensive book to address the necessity of a methodology of performance analysis.

About the Author

Eli Rozik is Ph.D. and professor emeritus of theatre studies. He was twice head of the Department of Theatre Studies and Dean of the Faculty of the Arts at Tel Aviv University. He specializes in theatre theory, particularly in non-verbal communication in performance analysis; and has published numerous articles in international leading journals in Europe and the US. His books include The Language of Theatre; The Roots of Theatre Rethinking Ritual and Other Theories of Origin; Metaphoric Thinking; Generating Theatre Meaning; Fictional Thinking; Comedy: A Critical Introduction; Theatre Sciences: A Plea for a Multidisciplinary Approach to Theatre Studies; and Future Theatre Research.