Genre and the Production of Gendered Identity on the Lyric Stage (Hardcover)

Mark Everist

ISBN 10: 2503615589 / ISBN 13: 9782503615585

Published by Brepols N.V., Turnhout, 2025

Hardcover. The lyric stage is a cultural site at which constructions of gender have been developed, mitigated and, at times, hindered by musical performance. From the castrati of the seventeenth century to Mozart and Massenet's cross-dressed Cherubinos, musical works created for lyric stages have often complicated traditional and normative readings of the gender and sexual identities of their characters, allowing composers, performers, and audiences to move beyond simple biological understandings of gender and sex. The erotically charged sights and sounds of such productions called into question accepted generic conventions, thus revealing the very instability of normative identity and musical convention that European societies presumed integral to their social codes and generic constructs. The fourteen case studies in this volume explore these topics through various geographical, historical, and musical perspectives: from Italian opera seria to Parisian music-hall ballet and Greek operetta during the interwar years, these essays shed new light on the complex and complementary ways in which gender and the production of gendered identities were invariably contingent upon - but nevertheless moved beyond - the expectations of genre on the lyric stage. From Italian opera seria to Parisian music-hall ballet and Greek operetta during the interwar years, these essays shed new light on the complex and complementary ways in which gender and the production of gendered identities were invariably contingent upon - but nevertheless moved beyond - the expectations of genre on the lyric stage Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9782503615585

Synopsis:

The lyric stage is a cultural site at which constructions of gender have been developed, mitigated and, at times, hindered by musical performance. From the castrati of the seventeenth century to Mozart and Massenet's cross-dressed Cherubinos, musical works created for lyric stages have often complicated traditional and normative readings of the gender and sexual identities of their characters, allowing composers, performers, and audiences to move beyond simple biological understandings of gender and sex. The erotically charged sights and sounds of such productions called into question accepted generic conventions, thus revealing the very instability of normative identity and musical convention that European societies presumed integral to their social codes and generic constructs. The fourteen case studies in this volume explore these topics through various geographical, historical, and musical perspectives: from Italian opera seria to Parisian music-hall ballet and Greek operetta during the interwar years, these essays shed new light on the complex and complementary ways in which gender and the production of gendered identities were invariably contingent upon - but nevertheless moved beyond - the expectations of genre on the lyric stage.

Bibliographic Details

Title: Genre and the Production of Gendered ...
Publisher: Brepols N.V., Turnhout
Publication Date: 2025
Binding: Hardcover
Condition: new