Georg Baselitz: Akademie Rousseau (Paperback)

Siegfried Gohr

ISBN 10: 3864423163 / ISBN 13: 9783864423161

Published by Snoeck Verlagsgesellschaft mbH, Cologne, 2020

About this Item

Paperback. "There is a remarkable painting in the Picasso room at Kunstmuseum in Basel: a full-length portrait of Guillaume Apollinaire with his muse, Marie Laurencin. It was Henri Rousseau who painted this wonderful picture. Only I had remembered it as a self-portrait of Rousseau with Madame Rousseau. Marie Laurencin was Apollinaire's muse, and Clemence Rousseau was Rousseau's muse. As it happens, Franz Marc painted a portrait of Rousseau for Der Blaue Reiter, and Picasso also had a self-portrait by Henri. There's a quite intimate photograph, taken by Andre Gomes, of Picasso holding Rousseau's self-portrait in his right hand and the portrait of Rousseau's wife in his left hand. Picasso, that constructor of novel objects and audacious paintings, loved Rousseau, the painter of things in rigidified grace. Even Rousseau's gaze in his self-portrait is stiff, directed at his own work, in which objects that we ourselves are familiar with look different--Gothic, Byzantine, somehow not the way we are used to seeing them. (.)" --Georg Baselitz Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Seller Inventory # 9783864423161

Bibliographic Details

• Title: Georg Baselitz: Akademie Rousseau (Paperback)
• Publisher: Snoeck Verlagsgesellschaft mbH, Cologne
• Publication Date: 2020
• Language: English
• ISBN 10: 3864423163
• ISBN 13: 9783864423161
• Binding: Paperback
• Condition: new

About this title

Synopsis

"There is a remarkable painting in the Picasso room at Kunstmuseum in Basel: a full-length portrait of Guillaume Apollinaire with his muse, Marie Laurencin. It was Henri Rousseau who ­painted this wonderful picture. Only I had remembered it as a self-portrait of Rousseau with ­Madame Rousseau. Marie Laurencin was Apollinaire’s muse, and Clémence Rousseau was Rousseau’s muse. As it happens, Franz Marc painted a portrait of Rousseau for Der Blaue Reiter, and Picasso also had a self-portrait by Henri. There’s a quite intimate photograph, taken by André Gomés, of Picasso holding Rousseau’s self-portrait in his right hand and the portrait of Rousseau’s wife in his left hand. Picasso, that constructor of novel objects and ­audacious paintings, loved Rousseau, the painter of things in rigidified grace. Even Rousseau’s gaze in his self-portrait is stiff, directed at his own work, in which objects that we ourselves are familiar with look different—Gothic, Byzantine, somehow not the way we are used to seeing them. (…)" —Georg Baselitz

About the Author

Nicole Hackert and Bruno Brunnet (the founder of the gallery in 1992) are a permanent part of the international gallery world with CFA situated now at Grolmanstraße in Berlin/Charlottenburg. Siegfried Gohr, born in 1949, is a German art historian, curator, and freelance publicist. Georg Baselitz, born as Hans-Georg Kern in Deutschbaselitz in 1938, is one of the most internationally renowned German artists of the post-war period.