Georg Muffat on Performance Practice – The Texts from Florilegium Primum, Florilegium Secundum, and Auserlesene Instrumentalmusik–a New Translatio | The Texts from Florilegium Primum, Florilegium Secundum, and Auserlesene Instrumentalmusik-A New Translation with Commentary

Georg Muffat (u. a.)

ISBN 10: 0253213975 / ISBN 13: 9780253213976

Published by Indiana University Press, 2001

About this Item

Georg Muffat on Performance Practice ? The Texts from Florilegium Primum, Florilegium Secundum, and Auserlesene Instrumentalmusik?a New Translatio | The Texts from Florilegium Primum, Florilegium Secundum, and Auserlesene Instrumentalmusik-A New Translation with Commentary | Georg Muffat (u. a.) | Taschenbuch | Publications of the Early Music Institute | Einband - flex.(Paperback) | Englisch | 2001 | Indiana University Press | EAN 9780253213976 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Seller Inventory # 106380025

Bibliographic Details

• Title: Georg Muffat on Performance Practice ? The Texts from Florilegium Primum, Florilegium Secundum, and Auserlesene Instrumentalmusik?a New Translatio | The Texts from Florilegium Primum, Florilegium Secundum, and Auserlesene Instrumentalmusik-A New Translation with Commentary
• Publisher: Indiana University Press
• Publication Date: 2001
• Language: English
• ISBN 10: 0253213975
• ISBN 13: 9780253213976
• Binding: Taschenbuch
• Edition: 2nd Edition
• Condition: Neu
• Dimensions: 254W x 176H x 12D millimeters 254 millimeters width by 176 millimeters height by 12 millimeters depth
• Weight: 282 grams
• Seller catalogs:
  • Bücher

About this title

Synopsis

" . . . a fascinating overall impression of the day-to-day concerns and working environment of a professional musician of the late 17th century." ―American Recorder

This volume presents Muffat's texts along with variants from his own editions in other languages. Wilson's highly readable supplementary materials make this a useful work for theorists, historians, and performers. The book is particularly enlightening on differences between French and German practice. Treats pitch, ornamentation, bowing, and more.

About the Author

David K. Wilson is a Baroque violinist based in the San Francisco area. He has taught baroque violin at Indiana University and has performed extensively with period instrument chamber ensembles and orchestras in the United States and in Germany.

Professor Thomas Binkley was a noted lutenist and director of early music performances. He founded the early Music Institute at the Indiana University School of Music.

Dr. Ingeborg Harer is Assistant Professor at the Universitat fur Musik und darstellende Kunst in Graz, Austria.

Dr. Ernest Hoetzl is Assistant Professor of Pedagogy at the Universitat fur Musik und darstellende Kunst in Graz, Austria.

Dr Yvonne Luisi-Weichsel teaches in the pedagogy department of the Universitat fur Musik und darstellende Kunst in Graz, Austria.