The life and career of George Frideric Handel, one of the most frequently performed Baroque composers, are thoroughly documented in a wide variety of contemporary sources. This multi-volume publication, the most up-to-date, fully annotated collection of these documents, presents them chronologically, providing an essential resource for anyone interested in Handel and his music. The collection also gives insights into broader topics such as court life, theatre history, public concerts, and music publishing. Volume 5 begins with the composition of Handel's last original scores for his London oratorio seasons – The Choice of Hercules and Jephtha. The death of the Prince of Wales curtailed his 1751 season and deteriorating eyesight delayed the completion of Jephtha. Nevertheless, his annual Lenten oratorios and Messiah performances at the Foundling Hospital continued. At the same time, his music was increasingly heard in the provinces and referred to in the new literary genre of the novel.

About the Authors

Donald Burrows is an Emeritus Professor of Music at The Open University, a Vice-President of the H�ndelgesellschaft, Chairman of the Handel Institute, General Editor of the Novello Handel Edition series and a member of the Editorial Board of the Hallische H�ndel-Ausgabe.

Helen Coffey is a Senior Lecturer in Music at the Open University and a Council Member of The Handel Institute.

John Greenacombe is a Visiting Research Fellow at The Open University and a Trustee of the Handel Institute.

Anthony Hicks combined a career as a computer systems analyst with an influential role as a researcher, critic and author on musical topics, particularly relating to Handel. He died in 2010.

"About this title" may belong to another edition of this title.

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