In 1966, German artist Gerhard Richter (born 1932) embarked on a series of paintings: uniform grids of colored rectangles or squares in a chart configuration against a white background, inspired by industrially produced paint chips. With the exception of only one other painting, this marked the artist’s first use of color and a turning point in his career.

This comprehensive catalogue is the first publication dedicated to the original Colour Charts, both those created in 1966 and those made in the ‘70s after a five-year hiatus. Featuring new essays by Dietmar Elger, head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, professor at the University of British Columbia, whose research concentrates on modern abstraction and its socioeconomic implications, this is a handsome tribute to one of Richter’s most groundbreaking bodies of work.

About the Author

Gerhard Richter is one of the most respected visual artists of Germany. His seminal works include "Atlas" (1964), "October 18, 1977" (1988), and "Eight""Grey" (2002).

Hubertus Butin has edited and contributed to numerous publications on contemporary art, including the books Private Publicity, Andreas Siekmann: Square of Permanent Reorganisation, Andy Warhol: Photography, Sigmar Polke: The Editioned Works, and The Romantic Spirit in German Art 1790-1990.

Dietmar Elger studied art history, history, and literature at the University of Hamburg. In 1984/85, he was secretary of Gerhard Richter s studio and between 1986 and 2006 curator for painting and sculpture at the Sprengel Museum, Hanover. He has organized numerous exhibitions on modern and contemporary art and has directed the Gerhard Richter Archive at the Staatliche Kunstsammlungen in Dresden since 2006.

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