German Insignia of World War II
Sold by Goodwill of Greater Milwaukee and Chicago, Racine, WI, U.S.A.
AbeBooks Seller since September 20, 2024
Used - Hardcover
Condition: Used - Good
Ships within U.S.A.
Quantity: 1 available
Add to basketSold by Goodwill of Greater Milwaukee and Chicago, Racine, WI, U.S.A.
AbeBooks Seller since September 20, 2024
Condition: Used - Good
Quantity: 1 available
Add to basketBook is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.
Seller Inventory # SEWV.0785830340.G
Inspiring both fear and loyalty, these symbols united the German people as never before behind the enormous war effort that was to consume their nation. German Insignia of World War II thus also looks at the organizations, symbols, and artifacts that became synonymous with the Third Reich.
One of the most effective methods used to galvanize the nation was the ordering of civilians into military-style organizations. At the height of the Third Reich it seemed that every civilian was in uniform. The most famous of all these organizations, the Hitler Youth, grew with the Nazi party from tiny beginnings in 1926 to become the dominant organization for German children and teenagers. Edged weapons were omnipresent in the Third Reich. Knives, daggers, swords, hewers, and bayonets were part of the dress uniform of virtually every organization in the Nazi State, from the armed services to the Hitler Youth.
The German eagle, cast in stone or bronze, vies with the swastika as the most potent symbol of the Third Reich. On uniforms, equipment, weapons, documents, coinage,-in fact, on almost every artifact produced during the years of the Third Reich--either the swastika or eagle (frequently both) was stamped, printed, painted, or engraved.
Art and artifacts in the Nazi state were strictly controlled. Hitler was the ultimate arbiter of what was acceptable, and his tastes ran strongly in the direction of the realistic and heroic. Sculpture was perhaps the most characteristic of all Nazi arts, favoring works on a monumental scale.
Chris Bishop is the author of German Campaigns of World War II, The Rise of Hitler's Third Reich, SS: Hitler's Foreign Divisions, The Essential Tank Identification Guide: Wehrmacht Panzer Divisions, 1939-45, The Essential Aircraft Identification Guide: Luftwaffe Squadrons, 1939-45, and The Essential Submarine Identification Guide: Kriegsmarine U-Boats, 1939-45. Chris Bishop lives in England.
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