The Gershwin Style: New Looks at the Music of George Gershwin
Edited by Wayne Schneider; Introduction by Wayne Schneider; Contributing authors: Charles Hamm, Wayne Shirley, Wayne Schneider, Steven Gilbert, Larry Starr, John Andrew Johnson, Charlotte Greenspan, Susan Richardson, C. Andre Barbera, Artis Wodehouse, Michael Montgomery, and Edward Jablonski.
Language: English
Published by Oxford University Press, New York, New York / Oxford, England, 1999
- Hardcover
- Used
Seller: Andover Books and Antiquities, Andover, MA, U.S.A.Andover Books and Antiquities
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xiv, 290 pp. LCC: 9750590 Very good condition; touches of wear on bottom edges of covers; on inside surface of cover: a few bands of color leaking from board through to paper.
Seller Inventory # LL08121108
- Title
- The Gershwin Style: New Looks at the Music of George Gershwin
- Author
- Edited by Wayne Schneider; Introduction by Wayne Schneider; Contributing authors: Charles Hamm, Wayne Shirley, Wayne Schneider, Steven Gilbert, Larry Starr, John Andrew Johnson, Charlotte Greenspan, Susan Richardson, C. Andre Barbera, Artis Wodehouse, Michael Montgomery, and Edward Jablonski.
- Publisher
- Oxford University Press, New York, New York / Oxford, England
- Publication year
- 1999
- Dust jacket
- Very good
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0195090209
- ISBN 13
- 9780195090208
- Seller catalogs
- The Impact of Modernism on Judaism and Christianity, 1900 to 1950: The Gift of Music
The Gershwin Style: New Looks at the Music of George Gershwin is a bold new work that stands in opposition to this disappearance. It is also a fresh collection of essays that promises to make a key contribution to American music research. Editor Wayne Schneider has corralled some of the leading authorities of Gershwin's efforts--renowned experts and authors who have researched his music for years if not decades--and sets their work alongside articles by scholars who come to Gershwin for the first time from backgrounds in American music or popular music in general. The notable contributors include Wayne D. Shirley, Charles Hamm, Edward Jablonski, and Artis Wodehouse (who has transcribed nearly all of Gershwin's piano performances).
No one who surveys the American musical landscape can doubt Gershwin's enduring popularity or profound influence, but his critical standing among today's serious music scholars is much less certain. As Schneider points out in his Introduction, there have been many biographies of Gershwin but comparatively few studies of his music in and of itself. Covering both the "popular" and "classical" extremes of Gershwin's output, as well as the many and subtle points in between, this book reevaluates the music of an American original from several enlightening perspectives. This is a book with much to offer any student or scholar of American music--while some essays explore new methods of measuring Gershwin's abilities as a composer, others draw on hitherto unavailable musical and archival sources to make arguments previously unthinkable. The essays gathered here, most of which were written especially for this volume, thus address a number of important research topics, among them biography, source studies, music analysis, performance practice, and questions of interpretation and reception. The contributions also reflect the wide diversity of contemporary thinking regarding the logic, legacy, and lure of Gershwin's music.
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Andover Books and Antiquities
Andover, MA, U.S.A.
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