Get Thee Behind Me, Santa: An Inexcusably Filthy Children's Time-Travel Farce for Adults Only

It's December 21st, 2012, and something's gone terribly wrong with the timeline. Now it's up to Saint Nicholas, a soft-boiled detective, and an unknown carpenter's son named Jesus of Nazareth to set things right in this giddily blasphemous collection of literary parodies by internationally touring storyteller phillip andrew bennett low. Fully illustrated by cartoonist Kay Kirscht, and with a foreword by comedian Joseph Scrimshaw!

WARNING: May contain mature language, as well as immature and insensitive humor regarding genitalia, flatulence, regurgitation, sex, drugs, rock and roll, lies, videotape, duct tape, tapeworms, subversion of ethnic stereotypes, fulfilment of ethnic stereotypes, hate culture, rape culture, ape culture, horticulture, and/or a general posture of deep reverence for deep irreverence. Not for the faint of heart or stomach.

phillip andrew bennett low (author) is a Chinese-American playwright and poet, storyteller and mime, theatre critic and libertarian activist. His solo performances have won acclaim from Minneapolis to Chicago, DC to LA - even as far as Melbourne, Australia. He was the co-founder of the Rockstar Storytellers (a supergroup of bestselling Twin Cities spoken-word artists), founder and producer of the touring theatre troupe Maximum Verbosity, and currently hosts what he believes to be the country's only open-mic dedicated to speculative fiction, The Not-So-Silent Planet, as well as its associated podcast. He has published a book of political humor, Indecision Now! A Libertarian Rage.

For more information, check out maximumverbosityonline.org.

Kay Kirscht (illustrator) is a Minneapolis cartoonist and performer. Currently enjoying the transition from paper and pen to digital media. Spent four years drawing live on cable access TV (MTN) with three other cartoonists on "Philo." She spent many years drawing in chalk on sidewalks for the Minnesota Fringe Festival and also appeared in several storytelling shows. In addition, she produced a weekly comic strip for the Minnesota Daily - 1982-1984: "The Death of Rasputin" (after the first half year, shortened strip title to "Rasputin") - that featured gratuitous cartoon violence, survival, and triumph.