The Girls' Guide to Hunting and Fishing

A witty and incisive debut novel follows the life lessons of Jane, from defiant teenager to reluctant career girl, as she makes her way through love, sex, relationships, and workplace perils, prompted by dubious advice from a pop-psych guide to life. 75,000 first printing. First serial, The New Yorker. Tour.

This is one of those rare occasions when a highly touted book fulfills the excitement and the major money (in this case, $275,000) surrounding its acquisition. Reading her debut collection of seven tightly interlinked stories featuring (with one exception) heroine Jane Rosenal, one marvels at Bank's assured control of her material, her witty, distinctive voice and her ability to find comedy, pathos and drama in ordinary lives without resorting to the twin crutches of dysfunctional families and sexual abuse that seem to prop up much current fiction. Jane is notable above all for her smart, irreverent sense of humor, evidenced in a typical teenager's mocking attitude when we first meet her at age 14, and irrepressibly sardonic and self-deprecating as she gets older, enters and leaves relationships and progressively doubts her ability to inspire or recognize romantic love. From girlhood, Jane is bewildered by the nuances of adult behavior, which seems like a secret code evident to everyone but her: "I should know this already" is her recurrent lament. She looks for insights everywhere: in her fickle brother's succession of girlfriends, in her parents' affectionate (but, as it turns out, secretive) marital bond, in the attractions between other couples. From her childhood in a Philadelphia suburb and the Jersey shore to her adult life in Manhattan (with visits to St. Croix and upstate New York), she is always testing the limits of her understanding and tending to doubt her perceptions. Though Jane is quick with a quip, she's sensitive and vulnerable, and when she finds herself falling for a handsome editor 28 years her senior, she knows she is out of her depth. Eventually, we follow Jane through several failed love affairs; career crises in publishing (a chapter about a viperish female editor is a gem) and advertising; the wrenching deaths of loved ones; and increasing fears that she'll never learn to play the mating game. By the time readers reach the final, title story, they'll be so firmly attached to self-doubting Jane that they'll track her misguided seduction of Mr. Right with drawn breath. "Beautiful and funny and sad and true" (to quote Jane), this book is also phenomenally good. Agent, Molly Friedrich at Aaron Priest. First serial to Cosmopolitan and Zoetrope; BOMC and QPB alternates; Penguin audio; author tour; foreign rights sold in the U.K., Germany, Italy, France, Sweden, Holland, Norway and Denmark. (June) FYI: Bank is writing the screenplay of this book for Francis Ford Coppola and Zoetrope studios.
Copyright 1999 Reed Business Information, Inc.

A smart, ruefully funny chronicle of a modern young womans search for love. When we meet Jane Rosenal, shes a wisecracking 14-year-old whose sassy wit keeps the world at bay but also gets the attention of her affectionate yet slightly distant parents. First-novelist Bank creates a dead-on teenage voice from her opening lines, making protagonist Jane both mildly obnoxious and appealingly vulnerable as she relates her efforts to decipher what went wrong between her older brother, Henry, and his upper-crust girlfriend, Julia. In subsequent chapters, the author skillfully allows Janes narration to evolve as the young girl struggles toward maturity and Mr. Right. When she gets an entry-level job in publishing and becomes involved with a much older editor, Archie Knox, Banks insightfully nuanced portrait shows Archie helping Jane grow professionallyparticularly by guiding her through the treacherous office currents created by a boss subtly determined to keep her downwhile keeping a firm upper hand emotionally. When her father reveals he has leukemia, the reserve between parent and child is breached, and the support Jane finds enables her to leave Archie. The final segment wickedly spoofs The Rules and other manipulative man-hunting guides as Jane nearly scares off her Prince Charming by behaving in ways completely alien to her open, candid nature; the satire wears thin after a time, but the finales warmth all but makes up for it. The novel takes the currently fashionable form of freestanding chapters that read like short stories that just happen to be about the same character. Two of thema first-person vignette by someone other than Jane; an odd second-person account of breast cancer and an excessively devoted boyfrienddont really fit in, but otherwise Banks debut is a model of well-crafted narrative building to a thoughtful, hopeful conclusion. Bank has created a delightful heroine who deserves her happy endingeven though any reader who has really been paying attention to the sharp, unsentimental details knows that all happy endings are provisional. (First serial to Cosmopolitan & Zoetrope; Book-of-the-Month Club alternate selection; author tour) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.

After Bridget Jones, expect lots on being single. This one by a Nelson Algren Award winner features reluctant career girl Jane, who's reading the wrong selfhelp guide to getting married.
Copyright 1999 Reed Business Information, Inc.