Global Pop, Local Language
Language: English
Published by University Press of Mississippi, Jackson, Mississippi, 2003
- Softcover
- Used
Seller: Lowry's Books, Three Rivers, MI, U.S.A.Lowry's Books
AbeBooks seller since June 15, 2000
Condition: Used - Very good
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Cover is in excellent condition, save for minimal corner wear. Text is otherwise tight in binding. Text is clean and free of blemishes throughout. No other markings or indications of note. Size: 8vo - over 7¾" - 9¾" tall.
Seller Inventory # 137827
- Title
- Global Pop, Local Language
- Author
- Berger, Harris M.; Carroll, Michael Thomas
- Publisher
- University Press of Mississippi, Jackson, Mississippi
- Publication year
- 2003
- Condition
- Very Good
- Dust jacket
- No Jacket
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1578065364
- ISBN 13
- 9781578065363
With contributions by Maria Elena Cepeda, Cece Cutler, John Fenn, Morgan Gerard, Paul D. Greene, David R. Henderson, Dave Laing, Edward Larkey, Anthony McCann, Tony Mitchell, Lillis Ó Laoire, Alex Perullo, Jack Sidnell, Maria Paula Survilla, C. K. Szego, Sue Tuohy, and Jeremy Wallach
Why would a punk band popular only in Indonesia cut songs in no other language than English? If you're rapping in Tanzania and Malawi, where hip hop has a growing audience, what do you rhyme in? Swahili? Chichewa? English? Some combination of these?
Global Pop, Local Language examines how performers and audiences from a wide range of cultures deal with the issue of language choice and dialect in popular music.
Related issues confront performers of Latin music in the US; drum and bass MCs in Toronto; and rappers, rockers, and traditional folk singers from England and Ireland to France, Germany, Belarus, Nepal, China, New Zealand, Hawaii, and beyond.
For pop musicians, this issue brings up a number of complex questions. Which languages or dialects will best express my ideas? Which will get me a record contract or a bigger audience? What does it mean to sing or listen to music in a colonial language? A foreign language? A regional dialect? A “native” language?
Examining popular music from a range of world cultures, the authors explore these questions and use them to address a number of broader issues, including the globalization of the music industry, the problem of authenticity in popular culture, the politics of identity, multiculturalism, and the emergence of English as a dominant world language. The chapters are written in a highly accessible style by scholars from a variety of fields, including ethnomusicology, popular music studies, anthropology, culture studies, literary studies, folklore, and linguistics.
"Synopsis" may belong to another edition of this title.
About the Author
Michael Thomas Carroll is professor of English at New Mexico Highlands University. He is author of Popular Modernity in America: Experience, Technology, Mythohistory (2000) and coeditor (with Eddie Tafoya) of Phenomenological Approaches to Popular Culture (2000).
"About the title" may belong to another edition of this title.
Lowry's Books
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