Good Morning Blues: The Autobiography of Count Basie

Basie, Count

ISBN 10: 151790143X / ISBN 13: 9781517901431

Published by Univ Of Minnesota Press, 2016

About this Item

Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Seller Inventory # M151790143XZ3

Bibliographic Details

• Title: Good Morning Blues: The Autobiography of Count Basie
• Publisher: Univ Of Minnesota Press
• Publication Date: 2016
• Language: English
• ISBN 10: 151790143X
• ISBN 13: 9781517901431
• Binding: Paperback
• Condition: Good

About this title

Synopsis

Count Basie was one of America’s pre-eminent and influential jazz pianists, bandleaders, and composers, known for such classics as “Jumpin’ at the Woodside,” “Goin’ to Chicago Blues,” “Sent for You Yesterday and Here You Come Today,” and “One O’Clock Jump.” In Good Morning Blues, Basie recounts his life story to Albert Murray, from his childhood years playing ragtime with his own pickup band at dances and pig roasts, to his years in New York City in search of opportunity, to rollicking anecdotes of Basie’s encounters with Fats Waller, Frank Sinatra, Fred Astaire, Sammy Davis Jr., Quincy Jones, Billie Holliday, and Tony Bennett. In this classic of jazz autobiography that was ten years in the making, Albert Murray brings the voice of Count Basie to the printed page in what is both testimony and tribute to an incredibly rich life.

About the Author

William James “Count” Basie (1904-84) was an American jazz pianist, organist, bandleader, and composer.

Albert Murray (1916-2013), author of thirteen books including Stomping the Blues, was a renowned jazz historian, novelist, and social and cultural theorist. He cofounded Jazz at Lincoln Center in 1987. 

Dan Morgenstern is a jazz critic and Director Emeritus of the Institute for Jazz Studies at Rutgers University. He is the author of Jazz People (1976); and Living with Jazz (2004), a reader edited by Sheldon Meyer, both winners of ASCAP’s Deems Taylor Award. In 2007, he received the A.B. Spellman Jazz Masters Award for Jazz Advocacy from the National Endowment for the Arts.