Gothic Queer Culture: Marginalized Communities and the Ghosts of Insidious Trauma (Expanding Frontiers: Interdisciplinary Approaches to Studies of Women, Gender, and Sexuality)

Westengard, Laura

ISBN 10: 1496217020 / ISBN 13: 9781496217028

Published by University of Nebraska Press, 2019

About this Item

Seller Inventory # I-9781496217028

Bibliographic Details

• Title: Gothic Queer Culture: Marginalized Communities and the Ghosts of Insidious Trauma (Expanding Frontiers: Interdisciplinary Approaches to Studies of Women, Gender, and Sexuality)
• Publisher: University of Nebraska Press
• Publication Date: 2019
• Language: English
• ISBN 10: 1496217020
• ISBN 13: 9781496217028
• Binding: Soft cover
• Condition: New

About this title

Synopsis

In Gothic Queer Culture, Laura Westengard proposes that contemporary U.S. queer culture is gothic at its core. Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought—including ghosts embedded in queer theory, shadowy crypts in lesbian pulp fiction, monstrosity and cannibalism in AIDS poetry, and sadomasochism in queer performance—Westengard argues that during the twentieth and twenty-first centuries a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic.

Gothic Queer Culture examines the material effects of marginalization, exclusion, and violence and explains why discourse around the complexities of genders and sexualities repeatedly returns to the gothic. Westengard places this queer knowledge production within a larger framework of gothic queer culture, which inherently includes theoretical texts, art, literature, performance, and popular culture.

By analyzing queer knowledge production alongside other forms of queer culture, Gothic Queer Culture enters into the most current conversations on the state of gender and sexuality, especially debates surrounding negativity, anti-relationalism, assimilation, and neoliberalism. It provides a framework for understanding these debates in the context of a distinctly gothic cultural mode that acknowledges violence and insidious trauma, depathologizes the association between trauma and queerness, and offers a rich counterhegemonic cultural aesthetic through the circulation of gothic tropes.
 

About the Author

Laura Westengard is an associate professor of English at the New York City College of Technology, City University of New York.