Between Grace and Fear: The Role of the Arts in a Time of Change

This book is a series of interviews with social theorists and scholars, philanthropists, scientists, theologians, artists, community development and community arts activists. Several recent books, including The Great Turning by David Korten, and A Whole New Mind by Daniel Pink, have made the argument that a new way of organizing our relationships to each other and to nature will be necessary in the coming years. The subjects, some 30 in all, were all asked to comment on this eventuality and to provide their perceptions of what role that artists and arts organizations should play in contributing to a more just and sustainable society.

William Cleveland is the founder and Director of the Center for the Study of Art and Community.

Established in 1991, CSA&C works to build new working relationships between the arts and the broader community. Mr. Cleveland's 25 year history, producing arts programs in cultural, educational and community also includes his leadership of the Walker Art Center's Education and Community Programs Department, California's Arts-In-Corrections Program and the California State Summer School for the Arts. His book Art in Other Places chronicles 22 model programs developed by artists and community development service providers in 17 American communities.

In 1991 Mr. Cleveland joined with a group of creative leaders from business, government and the arts to establish the Center for the Study of Art and Community. The organization specializes in the development and assessment of arts-based community partnerships, and management support and training for artists, and their community and institutional partners. CSA&C works with artists and arts organizations, schools, human service and criminal justice agencies, local and state government and the business and philanthropic organizations. Recent clients include: Maine Community Foundation, McKnight Foundation, New Music-Theater Ensemble, Arts Council of New Orleans, Indiana Department of Commerce, FamiliesFirst Inc, American Music Center, San Francisco Art Institute, American Composers Forum, Opera America and numerous local and state arts councils.

Mr. Cleveland serves on the boards of Partners for Arts Schools and Students, Sarah Elgart Dance Company, Geese Theater Company, Art In the Public Interest, and as a panelist and consultant for the National Endowment for the Arts. Mr. Cleveland is an advisor for Partners for Livable Communities' the British American Art Association's International Arts and Education Initiative and the Urban Arts Institute. He is also a member of the UCLA Artsreach Advisory Committee, and works as an associate of the Arts Extension Service at the University of Massachusetts, Amherst.

Mr. Cleveland attended the University of Maryland where he studied Psychology. In 1972 he helped to found the Buckhorn Center, a therapeutic community based in Ontario, Canada. Artistically, he has a 30-year history as a professional musician and songwriter. As a member of various performing groups, he has toured the United States and Canada, and performed on both radio and television. Mr. Cleveland was also a contributing editor of High Performance magazine.

Linda Frye Burnham is a writer of national reputation on a variety of subjects, with special emphasis in artists working in community, education and activism. She has also written extensively on performance art and feminism and multiculturalism in the arts. She was the founder of High Performance magazine (1978), The 18th St. Arts Complex (with Susanna Dakin, 1988), Highways Performance Space (with Tim Miller, 1989), Art in the Public Interest (with Steven Durland, 1995) and the Community Arts Network (with Durland, Bob Leonard and Ann Kilkelly, 1999). She is the editor of APInews on the Community Arts Network, a contributing writer for national arts publications, a writer on general subjects for The Independent Weekly of North Carolina, editor (with Durland) of The Citizen Artist: 20 Years of Art in the Public Arena: An Anthology from High Performance Magazine 1978-1998 (1998), and author of Bob & Bob: The First Five Years, 1975-1980 (1980). She has served as contributing editor to the Drama Review and staff writer for Artforum. Her writing has appeared in numerous art magazines in the US and UK.