Grand-Guignolesque (Paperback)

Prof. Richard J. Hand

ISBN 10: 180413080X / ISBN 13: 9781804130803

Published by University of Exeter Press, Exeter, 2022

About this Item

Paperback. While the infamous Theatre du Grand-Guignol in Paris closed its doors in 1962, the particular form of horror theatre it spawned lives on and has, moreover, witnessed something of a resurgence over the past twenty years. During its heyday it inspired many imitators, though none quite as successful as the Montmartre-based original. In more recent times, new Grand-Guignol companies the world over have emerged to reimagine the form for a new generation of audiences. This book, the fourth volume in University of Exeter Presss series on the Grand-Guignol by Richard J. Hand and Michael Wilson, examines the ongoing influence and legacy of the Theatre du Grand-Guignol through an appraisal of its contemporary imitators and modern reincarnations.As with the previous volumes, Grand-Guignolesque consists of a lengthy critical introduction followed by a series of previously unpublished scripts, each with its own contextualizing preface. The effect thereof is to map the evolution of horror theatre over the past 120 years, asking where the influence of the Grand-Guignol is most visible today, and what might account for its recent resurgence. This book will be of interest not only to the drama student, theatre historian and scholar of popular theatre, but also to the theatre practitioner, theatregoer and horror fan. Grand-Guignolesque explores the continuing influence and legacy of the infamous Parisian theatre of horror. The volume consists of a critical introduction along with thirteen previously unpublished scripts of classic Grand-Guignol and modern horror plays, each with its own contextualizing preface. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Seller Inventory # 9781804130803

Bibliographic Details

• Title: Grand-Guignolesque (Paperback)
• Publisher: University of Exeter Press, Exeter
• Publication Date: 2022
• Language: English
• ISBN 10: 180413080X
• ISBN 13: 9781804130803
• Binding: Paperback
• Condition: new

About this title

Synopsis

While the infamous Théâtre du Grand-Guignol in Paris closed its doors in 1962, the particular form of horror theatre it spawned lives on and has, moreover, witnessed something of a resurgence over the past twenty years. During its heyday it inspired many imitators, though none quite as successful as the Montmartre-based original. In more recent times, new Grand-Guignol companies the world over have emerged to reimagine the form for a new generation of audiences. This book, the fourth volume in University of Exeter Press's series on the Grand-Guignol by Richard J. Hand and Michael Wilson, examines the ongoing influence and legacy of the Théâtre du Grand-Guignol through an appraisal of its contemporary imitators and modern reincarnations.

As with the previous volumes, Grand-Guignolesque consists of a lengthy critical introduction followed by a series of previously unpublished scripts, each with its own contextualizing preface. The effect thereof is to map the evolution of horror theatre over the past 120 years, asking where the influence of the Grand-Guignol is most visible today, and what might account for its recent resurgence. This book will be of interest not only to the drama student, theatre historian and scholar of popular theatre, but also to the theatre practitioner, theatregoer and horror fan.

About the Author

Richard J. Hand is Professor of Media Practice and Head of Drama at the University of East Anglia. He is the co-editor of the Journal of Adaptation in Film and Performance. He has a particular interest in cross-media forms of popular culture - especially horror - and explores adaptation, transmedia and interdisciplinarity using critical and creative methodologies. Michael Wilson is Professor of Drama and Head of Creative Arts at Loughborough University, where he is also Director of the Storytelling Academy, a research and teaching collective in Applied Storytelling. His main research interests lie broadly within the field of popular and vernacular performance, especially in storytelling, crime drama and horror theatre.