Armin Hofmann’s richly varied work is recognized for its reliance on the fundamental elements of graphic form – point, line, and form. The book was originally a fundamentally new attempt to provide a methodical approach to challenges of graphic design. Elements of image and form are analyzed and examined with regard to their inherent laws. The thoroughly revised edition of the 1965 design manual classic includes new sections that adapt his thoughts to contemporary technological uses. Especially in times of the return to clear and minimalistic geometric forms and patterns, his rich body of work serves as a perfect starting point for contemporary design practices.

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Cette oeuvre dont la premi�re �dition, depuis longtemps �puis�e, remonte � 1965, se pr�sente dans une version nouvelle enti�rement revue. Au moment de sa parution, ce livre pouvait �tre consid�r� comme un essai fondamentalement neuf de traiter m�thodiquement les probl�mes pos�s par la cr�ation de l'image et de la forme.

Son objectif est de progresser pas � pas en partant du plus simple pour aller aux principes, au diff�renci� jusqu'au compliqu�. Les �l�ments de l'image et de la forme sont analys�s et �tudi�s dans leur l�gitimit�. Les connaissances obtenues par l'�tude logique de la mati�re peuvent s'apprendre. Elles appartiennent � l'arsenal de tout graphiste et de tout typographe.

L'enseignement m�thodique de la cr�ation trouve aujourd'hui un emploi �galement dans la cr�ation au petit �cran. Le traitement automatique des textes au moyen de l'ordinateur personnel se r�pand de plus en plus. Le proc�d� dit "Desktop Publishing" (composition automatique pour le bureau) exige conceptualisation et m�thode. Cet (ouvrage ordonn� selon une syst�matique adapt�e � l'ordinateur rendra ainsi de pr�cieux services comme manuel d'introduction pour ce nouveau groupe d'utilisateurs.

Trilingue : fran�ais, anglais, allemand

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