Guest, G: Tributes to Jonathan J. G. Alexander: The Making a

Guest, Gerald B.

ISBN 10: 1872501478 / ISBN 13: 9781872501475

Published by Brepols N.V., 2006

About this Item

KlappentextrnrnA collection of essays by colleagues and pupils of Jonathan Alexander, the eminent Professor of Fine Arts at the New York Institute of Fine Arts who is regarded as a leading expert on the illuminated manuscripts. A bibliography of.

Seller Inventory # 905710593

Bibliographic Details

• Title: Guest, G: Tributes to Jonathan J. G. Alexander: The Making a
• Publisher: Brepols N.V.
• Publication Date: 2006
• Language: English
• ISBN 10: 1872501478
• ISBN 13: 9781872501475
• Binding: Gebunden
• Condition: New

About this title

Synopsis

Table of Contents: Part One: Artists and Scribes Lilian Armstrong, A North Italian Drawing of Hercules and Antaeus in a German Incunable: Marco Zoppo(?) and Drawings in Renaissance Books ; Benjamin David, Sites of Confluence: The Master of the Yates Thompson Divine Comedy; Albinia C. de la Mare with Xavier van Binnebeke, A List of Books from the Florentine Braccio Martelli; Susan L'Engle, Outside the Canon: Graphic and Pictorial Digressions by Artists and Scribes; Lawrence Nees, The Jonathan Gospels (Bibliotheca Apostolica Vaticana, Cod. Pal. lat. 46); Kathleen L. Scott, The Decorated Letters of Two Cotton Manuscripts; Federica Toniolo and Gennaro Toscano, Per l'attività giovanile di Girolamo da Cremona Part Two: Methods of Work and Production François Avril, Les copies à répétition. A propos de la circulation et de la dissiménation des modèles; Bezalel Narkiss, Scribes and Artists of the Ashburnham Pentateuch; Margot McIlwain Nishimura, The Grey Gospels: A Frankish Curiosity in Cape Town; Myra Dickman Orth, The English Great Bible of 1539 and the French Connection; Jane Rosenthal and Patrick McGurk, Author, Symbol and Word: The Inspired Evangelists in Judith of Flanders's Anglo-Saxon Gospelbooks; Marina Vidas, Norway's French Connection: The Intended Reader and Subsequent Owners of the Christina Psalter Part Three: Marginalia Madeline H. Caviness, Unnatural Spectacles, Aristotelian Precepts and the Construction of Gender around 1300; Ruth Mellinkoff, Break a Leg! Lilian M.C. Randall, Frontal Heads in the Borders of Parisian and South Netherlandish Books of Hours, ca. 1415-60; Lucy Freeman Sandler, Bared: The Writing Bear in the British Library Bohun Psalter Part Four: Text and Image Walter Cahn, An Illuminated Manuscript of Caesarius of Heisterbach's Dialogus miraculorum; C. M. Kauffmann, The Iconography of the Judgement of Solomon in the Middle Ages; Giordana Mariana Canova, L'antico nella miniatura padovana del Rinascimento: Un Plutarco alla Stiftsbibliothek di Linköping; Nigel Morgan, Pictured Sermons in Thirteenth-Century England; Nancy Freeman Regalado, Picturing the Story of Chivalry in Jacques Bretel's Tournoi de Chauvency (Oxford, Bodleian Library, MS Douce 308); Kathryn A. Smith, Accident, Play and Invention: Three Infancy Miracles in the Holkham Bible Picture Book; Alison Stones, The 'Terrier de l'Évêque' and Some Reflections of Daily Life in the Second Half of the Thirteenth Century Part Five: Cultural Context Paul Binski, John the Smith's Grave; Martha Easton, The Wound of Christ, the Mouth of Hell: Appropriations and Inversions of Female Anatomy in the Later Middle Ages; Désirée Koslin, Under the Influence: Copying the Revelationes of St. Birgitta of Sweden; Mary and Richard Rouse, A Cat Can Look at a King: an Illustrated Episode in the Grandes Chroniques; Evelyn Birge Vitz, Liturgical versus Biblical Citation in Medieval Vernacular Literature; William M. Voelkle, Liberale da Verona's North Wind Unraveled Part Six: Afterlives - Receptions Janet Backhouse, The Case of Queen Melisende's Psalter: An Historical Investigation; Paul Crossley, Anglia Perdita. English Medieval Architecture and Neo-Romanticism; Karen Eileen Overbey, Locating the Book: The Domnach Airgid Shrine in Medieval Ireland; Roger S. Wieck, Papal Fragments at Rosenbach Bibliography of J.J.G. Alexander - Indexes - Photographic Credits.