Guests

Moss is frustrated. His father has invited outsiders who dress in strange clothes and speak an odd language to the village's special harvest meal - and no one but Moss seems to care how that will change the way things have always been. No matter whom he talks to, no matter what he says, people just smile and tell him, "Someday you'll understand why."
Impatient for answers, Moss impulsively goes into the forest alone for the first time, hoping to find some clue during his "away time" as to who he really is and who he should become as a man. But even in the woods, nothing is quite the way he expects it to be, and before he finds his way home, Moss must see the world as a more complicated - and much more interesting - place.
Learning from the subtle morals of old stories as well as by simply listening to the people around him, Moss grapples with the ultimate truth of being a grown-up: you are who you are.

Grade 3-6-Moss's father extends his hospitality to a group of strangers who speak an entirely different language and who make the boy "uncomfortable with their oddness." When his efforts to convince his parents that the guests should not participate in his people's harvest feast are rebuked, Moss runs away into the nearby forest. There he meets Trouble, a distant relative, and in trying to impress her, finds himself forced into his "away time." Lost in the woods, he learns to look and listen, and begins to realize what it means to be a man during an encounter with a porcupine. He also finds solace in his conversations with Trouble, who eventually helps him find his way out of the forest. Though she is struggling with the strictures placed upon young women in her clan, they share universal early adolescent emotions about the lack of understanding their families afford them. Dorris's writing is elegant, full of evocative images and lush metaphors. He develops his intriguing characters in a leisurely way, and places little emphasis on plot. Young readers will need to work hard to piece together the clues that suggest the setting (someplace by the sea) and the identity of the guests (probably white settlers since they arrived after following a "trail through the sea"). They will be able to comprehend the words, but some may miss the story's ultimate meaning.
Ellen Fader, Oregon State Library, Salem
Copyright 1994 Reed Business Information, Inc.

A brief look into Native American life just before it is irrevocably changed in this rite-of-passage tale of a young Indian boy. Moss is annoyed with his father for inviting the strangers--white men--to the village's annual harvest festival. He declares that he will not celebrate with the guests and goes to the edge of the village to sulk. There he meets Trouble, a girl about his age, and boastfully announces that he is going on his ``away time''--a boy's solitary journey into the forest to become a man and take a new name. Trouble does not believe him, so Moss foolhardily treks alone into the forest to prove her wrong. In the forest he learns about life, nature, and beauty from a grouchy old porcupine and transforms himself from a selfish little boy into a sensitive young man. Moss and Trouble meet again, and this time he shows a real interest in her. They develop a bond born of mutual understanding and return to the village to share in the festival. Interspersed with Moss's story are Indian legends that give the whole an added richness and depth, but the abrupt ending leaves the reader dissatisfied. Dorris obscures the simple story by weaving in too many threads--the white men, Trouble's troubled homelife--that dangle at the conclusion. A book that might have been outstanding had it delivered more or attempted less. (Fiction. 8-12) -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.

At dawn, as the "light from the smoke hole in the roof turned from black to gray," Moss is playing with a string of wampum when it breaks apart, scattering abalone shell beads in many directions. The design of the beads had held a story "from long ago," and even Moss's grandfather can't recall the beads' arrangement. "Now you owe us a story, Moss," he tells his grandson gravely. Dorris (Morning Girl) gives this boy in search of a story a fine tale to tell. Moss, a gentle and penetrating narrator, reaches deep within himself and delves into the fertile ground of his tribe's legends. Disgruntled that his father has invited strangers from another tribe to the family's harvest feast, Moss disappears into the woods, where he unexpectedly experiences his "away time," a rite of passage that involves-in Moss's case-a conversation with a special porcupine. This episode, and his unprecedented communication with Trouble, a village girl who follows him into the forest, transform Moss by the time he returns home to share the feast with his family and their guests, whom he holds responsible for "every strange and confusing thing that had happened to me today." Though his narrative may at times seem a little subtle for the intended audience, Dorris has drawn a piercing portrait of a boy and the powerful traditions that shape him. Ages 8-12.
Copyright 1994 Reed Business Information, Inc.

Gr. 4-7. Without portentous stereotypes, Dorris tells a story of a Native American boy who leaves home to find himself. Moss isn't sure why he walks away into the forest. His life seems stale. What's more, he's mad at his father for inviting a group of white strangers to be guests at the village harvest festival. Lost and alone, Moss opens up to the natural world and becomes "the forest's welcomed guest." He meets a fierce runaway girl, and they help each other get home. Moss knows that he hasn't encountered a noble mentor on his vision quest; he hasn't suddenly become "a man." What he has found is a new view of himself and the world around him. He realizes he has been selfish and inhospitable. And now he can see that neither the guests nor the village hosts are comfortable at the feast. They can't understand each other. The strangers are hungry, but why are they so greedy and grasping? Even for a sensitive boy, Moss seems too articulate about his inner journey. But Dorris dramatizes that universal experience of feeling stuck at home, as well as the excitement of finding what you didn't know was there. As in Morning Girl (1993), the encounter with Europeans is seen through the eyes of a young person. Several stirring old creation stories woven into the narrative underline Moss' quest for both freedom and responsibility. Dorris' casual sentences are simple and beautiful, showing in their very particularity that Moss discovers the wonder of familiar things. Hazel Rochman