HUMAN AND THE MACHINE IN LITERATURE AND

Automation is everywhere: in the supermarket, in home appliances, and on our commutes. While we worry about what automation means for human autonomy now, human societies have long wondered about their replacement by machines. The Human and the Machine in Literature and Culture explores the pervasive – and long-standing – influence of automation on humanity by dismantling the prevalent future-oriented perspective of many automation debates. This collection examines how literature has conceptualized automation over centuries, from utopian visions of a world liberated from work and domestic labour to dystopian futures in which humans are surplus to requirements. We set out social and industrial developments which feed into discourses of automation and its mediation in literary cultures. By bringing together theoretical approaches to real-world automation with readings of its literary interpretations, this volume demonstrates literature’s role as a space for hypothesizing alternate realities, making clear literature’s propensity to inform our attitudes to real-world phenomena.

Kate Foster is a Lecturer in French Studies at the University of Reading, UK. Her research focuses on intersections of human bodies and technology in late nineteenth and early twentieth-century cultures. She is working on a monograph on fictional androids and cyborgs, and developing a new project on technology, disease and cultural history.

Molly Crozier is an early career researcher in French and Comparative Literature. Her research focuses on embodiment, gender and disability in twentieth-century theatre. She is working on a monograph on disability in Samuel Beckett’s drama. She holds an honorary fellowship at the Institute of Irish Studies, University of Liverpool.