Hack / Slash Volume 1: First Cut

Seeley, Tim

ISBN 10: 1932796428 / ISBN 13: 9781932796421

Published by Devil's Due Publishing, 2005

About this Item

very clean softcover. no marks. clean text. solid binding. very light wear. ISBN matches listing Fast service with confirmation, no international or priority orders over 4lbs.

Seller Inventory # mon0000179473

Bibliographic Details

• Title: Hack / Slash Volume 1: First Cut
• Publisher: Devil's Due Publishing
• Publication Date: 2005
• Language: English
• ISBN 10: 1932796428
• ISBN 13: 9781932796421
• Binding: paperback
• Condition: Very Good

About this title

Synopsis

In almost every slasher movie, there's one girl who makes it all the way to the end. She's the survivor... the last girl. Meet Cassie Hack, the lone survivor of an attack by a vicious slasher called The Lunch Lady. Now, Cassie - along with her monstrous partner, Vlad - travels the country, hunting down other slashes before they can leave a trail of blood and terror. This collection includes the critically acclaimed one-shots "Euthanized," "Girls Gone Dead," and "Comic Book Carnage." It also includes never-before-seen production art, sketches, and pin ups, as well as a new short story, "Slashing through the Snow." Also included is an introduction by award winning author, Craig Thompson (Blankets).

Reviews

Slashers are "Bad" because they're icky grotesques who hate people, especially horny teenagers, and like to butcher them. On the other hand, cute goth Cassie Hack and her huge, deformed partner, Vlad, must be "Good" because they go around the country killing slashers in various messy ways. Cassie, last survivor of the Lunch Lady killings, is aware enough of genre conventions to make sarcastic comments as she does her thing, but action is pretty standard. Seeley's scripts are efficient enough, and Caselli and Manfredi's dark, dark art gets the job done. In "Comic Book Carnage," set at a commercial comics convention, Cassie and Vlad really do get involved with their surroundings; for the first time, the supporting characters become slightly more than slasher-movie stereotypes, so that it matters somewhat whether they live or die. The question is whether writers and artists in a book like this can get past awareness that they're essentially doing a variation on Buffy the Vampire Slayer and go on to do fresh, original work. Based on the amount of development shown here, the answer is a firm, confident maybe. (Nov.)
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