The Hand-Sculpted House: A Practical and Philosophical Guide to Building a Cob Cottage
Evans, I. ; Smith, MG. ; Smiley, L.
588 ratings by Goodreads
Language: English
Published by Chelsea Green Publishing Company, 2002
- Softcover
- Used

Seller: Chapter 1, Johannesburg, GAU, South AfricaChapter 1
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- Title
- The Hand-Sculpted House: A Practical and Philosophical Guide to Building a Cob Cottage
- Author
- Evans, I. ; Smith, MG. ; Smiley, L.
- Publisher
- Chelsea Green Publishing Company
- Publication year
- 2002
- Condition
- Fair
- Binding
- paperback
- Language
- English
- ISBN 10
- 1890132349
- ISBN 13
- 9781890132347
- Illustrator
- Deanne Bednar
- Item weight
- 32 ounces
- Dimensions
- 8x0x9
“The Hand-Sculpted House inspired me to learn and do more and transformed how I saw homes and building in general.”—Mother Earth News
“If you follow it word for word you will build yourself a house no matter who you are.”—Builder Paul Dillon, quoted in The Irish Times
Are you ready for the Cob Cottage?
This is a building method so old and so simple that it has been all but forgotten in the rush to synthetics. A cob cottage, however, might be the ultimate expression of ecological design, a structure so attuned to its surroundings that its creators refer to it as “an ecstatic house.”
The authors build a house the way others create a natural garden. They use the oldest, most available materials imaginable–earth, clay, sand, straw, and water–and blend them to redefine the future (and past) of building. Cob (the word comes from an Old English root, meaning “lump”) is a mixture of non-toxic, recyclable, and often free materials.
Building with cob requires no forms, no cement, and no machinery of any kind. Builders actually sculpt their structures by hand.
Building with earth is nothing new to America; the oldest structures on the continent were built with adobe bricks. Adobe, however, has been geographically limited to the Southwest. The limits of cob are defined only by the builder’s imagination.
Cob offers answers regarding our role in Nature, family and society , about why we feel the ways that we do, about what’s missing in our lives. Cob comes as a revelation, a key to a saner world.
Cob has been a traditional building process for millennia in Europe, even in rainy and windy climates like the British Isles, where many cob buildings still serve as family homes after hundreds of years.
Cob houses (or cottages, since they are always efficiently small by American construction standards) are not only compatible with their surroundings, they ARE their surroundings, literally rising up from the earth. They are full of light, energy-efficient, and cozy, with curved walls and built-in, whimsical touches. They are delightful. They are ecstatic.
“If you follow it word for word you will build yourself a house no matter who you are.”—Builder Paul Dillon, quoted in The Irish Times
Are you ready for the Cob Cottage?
This is a building method so old and so simple that it has been all but forgotten in the rush to synthetics. A cob cottage, however, might be the ultimate expression of ecological design, a structure so attuned to its surroundings that its creators refer to it as “an ecstatic house.”
The authors build a house the way others create a natural garden. They use the oldest, most available materials imaginable–earth, clay, sand, straw, and water–and blend them to redefine the future (and past) of building. Cob (the word comes from an Old English root, meaning “lump”) is a mixture of non-toxic, recyclable, and often free materials.
Building with cob requires no forms, no cement, and no machinery of any kind. Builders actually sculpt their structures by hand.
Building with earth is nothing new to America; the oldest structures on the continent were built with adobe bricks. Adobe, however, has been geographically limited to the Southwest. The limits of cob are defined only by the builder’s imagination.
Cob offers answers regarding our role in Nature, family and society , about why we feel the ways that we do, about what’s missing in our lives. Cob comes as a revelation, a key to a saner world.
Cob has been a traditional building process for millennia in Europe, even in rainy and windy climates like the British Isles, where many cob buildings still serve as family homes after hundreds of years.
Cob houses (or cottages, since they are always efficiently small by American construction standards) are not only compatible with their surroundings, they ARE their surroundings, literally rising up from the earth. They are full of light, energy-efficient, and cozy, with curved walls and built-in, whimsical touches. They are delightful. They are ecstatic.
"Synopsis" may belong to another edition of this title.
About the Author
Ianto Evans is an applied ecologist, landscape architect, inventor, and teacher with building experience on six continents. Cob is traditional in his homeland, Wales. In addition to teaching ecological building, Ianto has consulted with USAID, the World Bank, the Peace Corps, and several national governments.
Michael G. Smith teaches practical workshops and consults on cob construction, natural building, and permaculture. He is the author of The Cobber's Companion: How to Build Your Own Earthen Home and co-editor of The Art of Natural Building: Design, Construction, Resources.
Linda Smiley teaches workshops on cob, sculpting sacred spaces, intuitive design, and natural plasters and finishes. With a background as a recreational therapist, she specializes in helping people use natural building as a tool for personal transformation and healing.
Michael G. Smith teaches practical workshops and consults on cob construction, natural building, and permaculture. He is the author of The Cobber's Companion: How to Build Your Own Earthen Home and co-editor of The Art of Natural Building: Design, Construction, Resources.
Linda Smiley teaches workshops on cob, sculpting sacred spaces, intuitive design, and natural plasters and finishes. With a background as a recreational therapist, she specializes in helping people use natural building as a tool for personal transformation and healing.
"About the title" may belong to another edition of this title.
Chapter 1
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