Looking in depth at Handel's oratorios and masques in dramatic form--among them some of the highest achievements of musical drama ever written--Dean here discusses general questions of history, style, and performance, and explains how the oratorios have been progressively misrepresented since Handel's day; subsequent chapters detail each of his eighteen works in this genre.
"Brings us as near as we are ever likely to get to the last word on the second-largest part of the composer's output....Definitive."--
The Guardian"Mr. Dean's book helps us to understand Handel, his age, and ourselves more deeply. It should acquire the status of a classic not only for its impeccable scholarship, but still more for its humane insights."--Wilfred Mellers,
The Spectator"His handling of evidence is masterly. Throughout the book the cross-references build up its internal strength and the footnotes often support with wit as well as scholarship the massive progress of the argument...this [is a] lucid, well-documented, humane work of profound learning."--
Times Literary Supplement