Handmade in Cuba : Rolando Estévez and the Beautiful Books of Ediciones Vigía

Handmade in Cuba is an in-depth examination of Ediciones Vigía, an artisanal press that published exquisite books crafted from simple supplies during some of Cuba’s most dire economic periods. Vividly illustrated, this volume shows how the publishing collective responded to the nation’s changing historical and political situation from the margins of society, representing Cuban culture across the boundaries of race, age, gender, and genre. In this volume, poets and scholars reflect on the unique artistic direction of Rolando Estévez, who oversaw the creation of over 500 handmade books and magazines between 1985 and 2014. They highlight the beautiful designs and unusual materials selected, including fabric, metals, wood, feathers, and discarded items. Through diverse perspectives, including an interview with Estévez himself, the essays showcase the unlimited inventive possibilities of books as objects, as sculptural pieces, and as installations. Even in the age of technology, Estévez generated enormous excitement and admiration for these hand-crafted books, and this volume offers the first inside view of this important alternative publishing space. Contributors: Ruth Behar | Juanamaría Cordones-Cook | Gwendolyn Díaz | Erin Finzer | William Luis | Nancy Morejón | Kim Nochi | Carina Pino Santos | Kristin Schwain | Elzbieta Sklodowska

Ruth Behar is the Victor Haim Perera Collegiate Professor of Anthropology at the University of Michigan and the recipient of a MacArthur “Genius” Award. Her many books include Traveling Heavy: A Memoir in between Journeys and Lucky Broken Girl.

Juanamaría Cordones-Cook is the Curators’ Distinguished Research Professor and the Catherine Paine Middlebush Professor of Romance Languages at the University of Missouri. An Emmy-nominated filmmaker, she is the author or editor of numerous award winning books, including Nancy Morejón’s Looking Within/Mirar adentro: Selected Poems/Poemas escogidos, 1954–2000.

Kristin Schwain, associate professor of art history at the University of Missouri, is the author of Signs of Grace: Religion and American Art in the Gilded Age.