From
WeBuyBooks, Rossendale, LANCS, United Kingdom
Seller rating 5 out of 5 stars
AbeBooks Seller since November 14, 2005
Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers. Seller Inventory # wbs8205783525
Is it possible to grow electronic sounds, as if they were plants in a garden? Why are childhood memories of sound and silence so important to our emotional development? Is it valid to classify audio recordings of wind or electrical hum as musical compositions? Why have the sounds of our environment become so important to sound artists and why is atmosphere so important in music? In Haunted Weather, David Toop asks these questions and gauges the impact of new technology on contemporary music's sound.
David Toop is a highly regarded author, music critic and musician. Since 1995, he has released three solo albums, curated five compilation albums (including the soundtrack to Ocean of Sound). His books include Rap Attack 3, Ocean of Sound and Exotica.
About the Author: David Toop is a highly regarded author, music critic and musician. Since 1995 he has released three solo albums, curated five compilation albums (including the soundtrack to Ocean of Sound), and the sound and music exhibition at the Hayward Gallery - 'Sonic Boom'. His music journalism appears in The Wire, Book Forum, The Times and The Face.
Title: Haunted Weather: Music, Silence, and Memory
Publisher: Serpent's Tail
Publication Date: 2004
Binding: Soft cover
Condition: Good
Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers. Seller Inventory # rev2592407427
Quantity: 1 available
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR002103887
Quantity: 2 available
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 1586447-20
Quantity: 1 available
Seller: Studibuch, Stuttgart, Germany
paperback. Condition: Befriedigend. 352 Seiten; 9781852428129.4 Gewicht in Gramm: 500. Seller Inventory # 888489
Quantity: 1 available
Seller: Prompt Shipping/ Quality Books, Bay, AR, U.S.A.
Condition: Used: Very Good. FREE DELIVERY.A GOOD CLEAN COPY.TB-57. Seller Inventory # 78334
Seller: Amazing Books Pittsburgh, Pittsburgh, PA, U.S.A.
paperback. Condition: Good. Nice copy, some wear and scuffing on the front and back covers, but no tearing, pages have yellowed over time but are unmarked. Paperback. LW. Seller Inventory # D23508
Seller: PASCALE'S BOOKS, NORTH READING, MA, U.S.A.
Soft Cover. Condition: Fine-. 279 pages. "At the heart of the book is how sound and silence in space, in memory and in the action of performance acquire meaning." FINE- SOFTCOVER. Size: 8vo - over 7¾" - 9¾" tall. Seller Inventory # 032192
Seller: Remarks Used Books, Pittsfield, MA, U.S.A.
Soft cover. Condition: Very Good. 1st Edition. First published in 2004 by Serpent's Tail, 2nd printing. Brilliant, clean & tight copy, unread, in Very Good condition, despite a minor beump on serpent's spinal tail (still square). "Is it possible to grow electronic sounds, as if they were plants in a garden? Can the resonance of an empty room be played like a musical instrument? Why are childhood memories of sound and silence so important to our emotional development? Is it valid to classify audio recordings of wind or electrical hum as musical compositions? Can computers replace more conventional instruments like the piano or the electric guitar? How can improvisation coexist with computer software? Why have the sounds of our environment become so important to sound artists and why is atmosphere so important in music? In HAUNTED WEATHER, David Toop asks these questions and gauges the impact of new technology on contemporary music. Partly personal memoir, partly travel journal, the book explores ways in which the body survives and redefines its boundaries in a period of intense, unsettling change and disembodiment. At the heart of the book is how sound and silence in space, in memory and in the action of performance acquire meaning." [publisher's copy] "An erudite and entertaining chauffeur, Toop, a noted ambient musician himself, shows us a way of listening differently. He teaches us to enjoy the environmental sounds of pneumatic drills, police helicopters, and tree frogs. He tells us to appreciate the silence between the sounds. Toop [is] up there with Eno as a theorist of ambient music."---Wired. This Paperback Original has brilliant corners & crisp edges (despite that beump), a square & tight binding w/no creases in spine & no interior markings (because: unread). "Toop knows far more, about a far broader range of music, than any other critic."---New Statesman. Quite presentable. Seller Inventory # RUB1367