Heavy Metal Music and the Communal Experience

Varas-Diaz, Nelson

ISBN 10: 1498506380 / ISBN 13: 9781498506380

Published by Lexington Books, 2016

About this Item

The book has minor edge wear, and fair rubbing. Otherwise, it is tightly bound, clean, and unmarked.

Seller Inventory # 988040

Bibliographic Details

• Title: Heavy Metal Music and the Communal Experience
• Publisher: Lexington Books
• Publication Date: 2016
• Language: English
• ISBN 10: 1498506380
• ISBN 13: 9781498506380
• Binding: Hardcover
• Condition: Very Good
• Seller catalogs:
  • Alpha One

About this title

Synopsis

It is common to hear heavy metal music fans and musicians talk about the “metal community”. This concept, which is widely used when referencing this musical genre, encompasses multiple complex aspects that are seldom addressed in traditional academic endeavors including shared aesthetics, musical practices, geographies, and narratives. The idea of a “metal community” recognizes that fans and musicians frequently identify as part of a collective group, larger than any particular individual. Still, when examined in detail, the idea raises more questions than answers. What criteria are used to define groups of people as part of the community? How are metal communities formed and maintained through time? How do metal communities interact with local cultures throughout the world? How will metal communities change over the lifespan of their members? Are metal communities even possible in light of the importance placed on individualism in this musical genre? These are just some of the questions that arise when the concept of “community” is used in relation to heavy metal music. And yet in the face of all these complexities, heavy metal fans continue to think of themselves as a unified collective entity.

This book addresses this notion of “metal community” via the experiences of authors and fans through theoretical reflections and empirical research. Their contributions focus on how metal communities are conceptualized, created, shaped, maintained, interact with their context, and address internal tensions. The book provides scholars, and other interested in the field of metal music studies, with a state of the art reflection on how metal communities are constituted, while also addressing their limits and future challenges.

About the Authors

Dr. Keith Kahn-Harris is an independent scholar, an associate lecturer at the Open University, an associate at the Centre for Urban and Community Research, Goldsmiths College and a founder of the Centre for New Jewish Thought. His website is www.kahn-harris.org.

Keith Kahn-Harris is Honorary Research Fellow at the Centre for Religion and Contemporary Society at Birkbeck College, University of London, UK, and the convenor of New Jewish Thought (www.newjewishthought.org). His website is www.kahn-harris.org

Karl Spracklen is a Professor of Leisure Studies at Leeds Metropolitan University, UK.