A noted authority examines the roles played by Germany's Hetzer tank destroyer and the Soviet SU-76M self-propelled gun during the battle for Hungary in 1945.

During World War II, Germany and the Soviet Union soon found that their light tanks were obsolete; while their small guns were no longer useful against the enemy's armoured vehicles, the chassis allowed for installation of a larger gun at the cost of a rotating turret. Keen to utilize existing technology, Germany and the Soviet Union approached this challenge differently. While the Germans turned their PzKpfw 38(t) tank into a tank destroyer, first the open-topped Marder III and then the fully enclosed Jagdpanzer 38(t), nicknamed the 'Hetzer', the Soviet designers turned the T-70 light tank into an infantry support gun capable of engaging enemy armour, its open-topped fighting compartment adding communication with accompanying infantry.

In this study, leading armour expert Peter Samsonov's insightful analysis is complemented by specially commissioned artwork and mapping alongside carefully selected archive and present-day photographs, revealing the origins, development and combat performance of these two types at war. Both were widely employed amid the tank battles of early 1945, as Soviet forces reached deep into Hungary and the Axis armies mounted one last counter-offensive on the Eastern Front, Operation Spring Awakening.

About the Authors

Peter Samsonov is a Russian–Canadian military history author specializing in World War II-era armoured vehicles of the Soviet Union, United States and British Commonwealth. In addition to writing books and articles, he brings Russian primary documents to English-speaking audiences through the Tank Archives blog. His passion for history is also reflected in historical re-enacting and scale modelling.

Edouard Groult grew up inspired by watching historical documentaries with his father and developed a fascination for historical and fantasy art. Following art studies in both Paris and Belgium he worked as a concept artist in the videogame industry and in recent years has also undertaken historical commissions while working as a freelancer for historical magazines. He lives and works near London.

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