Synopsis
Like heroines harrowing Hell, Simone Muench and Jackie White rock and reel in these scintillating collaborative sonnets and portraits, resurrecting the girls buried in the woods and garden of misogynist brutality, refracting ruin through ingenious sequences of sense and sound. Wielding needle and shovel, scalpel and gavel, Muench and White “ churn those ashed hours into aurora,” stretching the sonnet’ s corset into glorious trumpet, “ spinning loose from that pinned darkness” into incantatory song after song— each line a rivet, sorrowful and resplendent, fiery curse and wise dirge— giving voice and ear to those who were not heard, in searing soaring stereo.— Anna Maria Hong
About the Authors
Simone Muench is the author of Lampblack & Ash (Kathryn A. Morton Prize for Poetry and NYT Editor's Choice; Sarabande, 2005), Orange Crush (Sarabande, 2010), DISAPPEARING ADDRESS with Philip Jenks (BlazeVOX books, 2010), Wolf Centos (Sarabande, 2014), HEX & HOWL with Jackie K. White (Black Lawrence Press, 2021), TRACE won the Black River Chapbook Competition (Black Lawrence, 2014), and SUTURE, with Dean Rader (Black Lawrence, 2017). She co-edited the anthology They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing (Black Lawrence, 2018). Her honors include an NEA fellowship, three Illinois Arts Council fellowships, the Marianne Moore Prize for Poetry, and residency fellowships to Yaddo, Artsmith, and VSC. In 2014, she was awarded the Meier Foundation for the Arts Achievement Award, which recognizes artists for innovation, achievements, and community contributions. She received her PhD from the University of Illinois and is a professor of English at Lewis University where she teaches creative writing and film studies. Currently, she serves as faculty advisor for Jet Fuel Review, as a senior poetry editor for Tupelo Quarterly, and creator of the HB Sunday Reading Series.
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Jackie K. White has has been an editor with RHINO, faculty advisor for Jet Fuel Review, and professor of English at Lewis University. She has published three previous chapbooks--Bestiary Charming (Anabiosis), Petal Tearing & Variations (Finishing Line), and Come clearing (Dancing Girl)--along with numerous poems and translations in ACM, Bayou, Fifth Wednesday, Folio, Quarter after Eight, Spoon River, Third Coast, Tupelo Quarterly, among others. An assistant editor for They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing, her collaborative poems (with Simone Muench) have appeared in Ecotone, Hypertext, The Journal, Pleiades, and others.
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