Hilma af Klint: Tree of Knowledge
Language: English
Published by David Zwirner, 2023
- Hardcover
- New
Condition: New
US$ 65.02
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Hilma af Klint: Tree of Knowledge | Hilma Af Klint (u. a.) | Buch | Gebunden | Englisch | 2023 | David Zwirner | EAN 9781644230848 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Seller Inventory # 122050542
- Title
- Hilma af Klint: Tree of Knowledge
- Author
- Hilma Af Klint (u. a.)
- Publisher
- David Zwirner
- Publication year
- 2023
- Condition
- Neu
- Binding
- Buch
- Language
- English
- ISBN 10
- 1644230844
- ISBN 13
- 9781644230848
- Item weight
- 734 grams
- Dimensions
- 278 x 199 x 16 mm
- Seller catalogs
- Bücher
“Revelatory and sublime. . . . Her work remains conceptually open enough for viewers to draw their own conclusions, insert their own meaning and feel transported to other glorious worlds.” —The New York Times
One of the most inventive artists of the twentieth century, af Klint was a pioneer of abstraction. Her first forays into nonobjective painting preceded the work of Kandinsky and Mondrian and radically mined the fields of science and religion. Deeply interested in spiritualism and philosophy, af Klint developed an iconography that explores esoteric concepts in metaphysics, as demonstrated in Tree of Knowledge. This rarely seen series of works on paper renders orbital, enigmatic forms, visual allegories of unification and separateness, darkness and light, beginning and end, life and death, and spirit and matter.
Published on the occasion of the exhibition Hilma af Klint: Tree of Knowledge at David Zwirner, New York, in 2021 and David Zwirner, London, in 2022, this book features a text by the art historian Susan Aberth examining af Klint’s spiritual and theosophical influences. With a conversation between curator Helen Molesworth and the US Poet Laureate Joy Harjo discussing connections between Tree of Knowledge and Native theories, the publication broadens the scope of philosophical interpretations of af Klint's timeless work. Also included is a newly commissioned essay by the celebrated af Klint scholar Julia Voss, a contribution by the artist Suzan Frecon, and a text by art historian Max Rosenberg that further develops the conversation around why af Klint’s work was not recognized in its time.
"Synopsis" may belong to another edition of this title.
About the Author
Julia Voss is an art historian, art critic, and curator. She is the author of Hilma af Klint: A Biography (2022), which was short-listed for the Leipzig Book Fair Prize.
Susan Aberth is the Edith C. Blum Professor in the Art History and Visual Culture Program at Bard College. Her publications include The Tarot of Leonora Carrington, co-authored with Mexican curator Tere Arcq, and Leonora Carrington: Surrealism, Alchemy and Art. She has contributed to the publications Witchcraft; Not Without My Ghosts; Agnes Pelton: Desert Transcendentalist; Surrealism, Occultism and Politics: In Search of the Marvelous; and Leonora Carrington and the International Avant-Garde, among others. Her work has also appeared in Artforum, Journal of Surrealism of the Americas, Abraxas: International Journal of Esoteric Studies, and Black Mirror.
Suzan Frecon is an artist known for abstract oil paintings and works on paper. She was born in 1941 in Mexico, Pennsylvania.
Max Rosenberg is an art historian and associate director of research and exhibitions at David Zwirner. He has worked on exhibitions on Josef Albers, Philip-Lorca diCorcia, William Eggleston, Paul Klee, Giorgio Morandi, Raymond Pettibon, and Christopher Williams, among others. He has received grants and awards from the Dedalus Foundation, the Fulbright Program, the German Academic Exchange Service (DAAD), and the Getty Research Institute, among other institutions. His writings have appeared in various publications, including The Getty Research Journal, Texte zur Kunst, and Art in America.
A poet, musician, playwright, author, and member of the Muscogee (Creek) Nation, Joy Harjo is currently serving as the 23rd Poet Laureate of the United States, her second term as Poet Laureate. She has written nine books of poetry and two memoirs, and has edited several anthologies of Native American writing.
Helen Molesworth is a Los Angeles–based writer, podcaster, and curator. Her major museum exhibitions include: Leap Before You Look: Black Mountain College 1933–1957, This Will Have Been: Art, Love, and Politics in the 1980s, and Work Ethic. She has organized monographic exhibitions of Ruth Asawa, Moyra Davey, Noah Davis, Louise Lawler, Steve Locke, Kerry James Marshall, Catherine Opie, and Luc Tuymans. She is the author of numerous catalogue essays and her writing has appeared in Artforum, Art Journal, Documents, and October. The recipient of the 2011 Bard Center for Curatorial Studies Award for Curatorial Excellence, in 2021 she received a Guggenheim Fellowship and in 2022 she was awarded The Clark Art Writing Prize.
"About the title" may belong to another edition of this title.
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