Hindustani Music Today

Pages: 150


About the Book

Stating that Hindustani music should be rightly termed art music and not classical music the books begins by discussing the features of art music and presents an approach to appreciating Hindustani music. It provides a detailed understanding of the components of the raga experience in Hindustani of the raga experience in Hindustani music including their time theory and the role of Gharanas of the musical tradition.

It deals with genres of raga based vocal music which have been performed over the last five centuries. Dhrupad which has its moorings in devotional music khayal vocalism shaped by Sufi influences the thumree which originated as an accompaniment to the kathak dance and the tappa adapted from the songs of camel drivers in the north west frontier. It takes up the use of instruments in Hindustani music especially the Rudra Veena, Sitar, Surbahar, Sarod, Santoor, the Shehnai, Pakhawaj the Hawaiian Guitar and many others giving an account of their origin performing styles and lineages relating to them.

Throughout the emphasis is on contemporary trends in Hindustani music and its prospects in the future. It mentions the significant practitioners of Hindustani music both vocal and instrumental.

The volume will interest lovers of Indian music and also scholars who want to have a greater understanding of its traditions its contemporary appeal and trends in practice.


About the Author

Deepak Raja (b. 1948-) is amongst the most respected writers on Hindustani music today. He works as repertoire analyst for India Archie Music Ltd. (IAM), - New York, the most influential producer of Hindustani music outside India. He has been associated with the academic and publishing activities of the Sruti magazine (Chennai), ITC-Sangeet Research Academy (Calcutta), Sangeet Natak Akademi (Delhi

Deepak Raja [b: 1948] is amongst the most respected writers on Hindustani music today. He works as Repertoire Analyst for India Archive Music Ltd. New York, the most influential producer of Hindustani music outside India and is closely associated with the academic and publishing activities of the ITC-Sangeet Research Academy, Sangeet Natak Akademi, and the Indian Musicological Society. His first book: Hindustani Music: A Tradition in Transition, was published in 2005. In 1999, he co-edited a volume titled Perspectives on Dhrupad for the Indian Musicological Society. He also runs a respected blog on Hindustani music. The author, a musicologist, is a sitar and surbahar player of the Imdad Khan/Etawah Gharana, and studies Khayala under Vidushi Dhondutai Kulkarni of the Jaipur-Atrauli Gharana. Deepak Raja took an Honours degree in Economics, Philosophy, and Political Science from Delhi University, a Master's degree in Business Administration from the Indian Institute of Management, Ahmedabad, and a Post-Graduate Diploma in Advertising Administration from the Watford College of Technology in Hertfordshire, UK. He has occupied important positions in the media industry, including Editor of Business India, and Secretary General of the Indian Newspaper Society.