Hints Concerning Church Music, the Liturgy, and Kindred Subjects

Hints Concerning Church Music, The Liturgy, And Kindred Subjects by James M. Hewins. This 19th-century treatise argues for a sober, religiously centered approach to church music and worship. Hewins critiques the secularization of hymnody, Italian opera influences, and modern German mysticism, insisting that sacred music must serve liturgy and edify the heart. He contrasts the ancient English canticles and psalms with contemporary, ornate compositions, urging a return to plainchant, diatonic harmony, and the prime role of the text. The book extols the English Reformation's musical tradition and the works of Tallis, Byrd, Gibbons, and Boyce, while condemning extravagant organ voluntaries, secular tune-books, and “congregational singing” that disrupts reverence. It advocates a reinforced liturgy, a disciplined education of church musicians, and choirs of boys and men as the proper vessels for sacred song. The author also surveys church music's history, the liturgical function, and the dangers of wandering beyond established forms. He also discusses practical aspects: the design of organs, the role of congregational singing, and the training required to maintain dignity in worship.