Synopsis
In this groundbreaking collection, twenty-one prominent medievalists discuss continuity and change in ideas of personhood and community and argue for the viability of the comic mode in the study and recovery of history. These scholars approach their sources not from a particular ideological viewpoint but with an understanding that all topics, questions, and explanations are viable. They draw on a variety of sources in Latin, Arabic, French, German, Middle English, and more, and employ a range of theories and methodologies, always keeping in mind that environments are inseparable from the making of the people who inhabit them and that these people are in part constituted by and understood in terms of their communities.
Essays feature close readings of both familiar and lesser known materials, offering provocative interpretations of John of Rupescissa's alchemy; the relationship between the living and the saintly dead in Bernard of Clairvaux's sermons; the nomenclature of heresy in the early eleventh century; the apocalyptic visions of Robert of Uzès; Machiavelli's De principatibus; the role of "demotic religiosity" in economic development; and the visions of Elizabeth of Schönau. Contributors write as historians of religion, art, literature, culture, and society, approaching their subjects through the particular and the singular rather than through the thematic and the theoretical. Playing with the wild possibilities of the historical fragments at their disposal, the scholars in this collection advance a new and exciting approach to writing medieval history.
About the Author
Rachel Fulton is associate professor of history at the University of Chicago. She is the author of From Judgment to Passion: Devotion to Christ and the Virgin Mary, 800-1200, and she is currently studying the making of prayer in the medieval West, with special emphasis on prayer to the Virgin Mother of God.Bruce Holsinger is professor of English and music at the University of Virginia. He is the author of Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer, as well as The Premodern Condition: Medievalism and the Making of Theory. He is writing a book on liturgy and vernacularity in premodern England.
Fulton is Associate Professor of History at the University of Chicago. Her Ph.D. is from Columbia. She is the author of From Judgment to Passion (Columbia, 2002), which won the Journal of the History of Ideas Morris D. Forkorsch Prize.Holsinger is Professor of English and Music at the University of Virginia. His Ph.D. is from Columbia. He is the author of Music, Body, and Desire in Medieval Culture (Stanford, 2002), which won the AMS's Philip Brett Award, the Modern Language Association's Prize for a First Book, and the Medieval Academy of America's John Nicholas Brown Prize, and of Premodernities: Archaeology of an Avant-Garde (Chicago, 2005).
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