Humor in Middle Eastern Cinema (Contemporary Approaches to Film and Media Studies)
Devi, Gayatri [Editor]; Rahman, Najat [Editor]; Gurel, Perin [Contributor]; Zargar, Cyrus Ali [Contributor]; Burton, Elise [Contributor]; Kim, Somy [Contributor]; Rahman, Najat [Contributor]; Matta, Mara [Contributor]; Devi, Gayatri [Contributor]; Lang, Robert [Contributor];
Language: English
Published by Wayne State University Press, 2014
Series: Book 58 of 112 - Contemporary Approaches to Film and Media
- Softcover
- New

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- Title
- Humor in Middle Eastern Cinema (Contemporary Approaches to Film and Media Studies)
- Author
- Devi, Gayatri [Editor]; Rahman, Najat [Editor]; Gurel, Perin [Contributor]; Zargar, Cyrus Ali [Contributor]; Burton, Elise [Contributor]; Kim, Somy [Contributor]; Rahman, Najat [Contributor]; Matta, Mara [Contributor]; Devi, Gayatri [Contributor]; Lang, Robert [Contributor];
- Publisher
- Wayne State University Press
- Publication year
- 2014
- Condition
- New
- Binding
- paperback
- Language
- English
- ISBN 10
- 0814339379
- ISBN 13
- 9780814339374
- Item weight
- 17 ounces
- Dimensions
- 6x1x8
- Series
- Book 58 of 112: Contemporary Approaches to Film and Media
Humor in Middle Eastern Cinema explores what humor theorists have identified as an "emancipatory," "liberatory," even "revolutionary" function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region's masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan.
This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema.
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