The Icon

Matthew Spear, a young Greek-American curator at the Metropolitan Museum of Art, meets the lovely Ana Kessler, a sometime art dealer who has inherited an impressive collection from her mysterious grandfather. Matthew soon discovers that the jewel of the old man's cache is none other than the Holy Mother of Katarini - a sacred icon long thought destroyed in a fire. But while Matthew recognizes the icon's value as a work of art - and a star in his crown if he can add it to the museum's collection - he soon discovers that it carries a far greater significance to numerous people, including his own grandfather and godfather.
What Matthew does not realize is that his own connection to the icon will thrust him into a byzantine web of death and deception, as other parties - including a representative of the Greek Orthodox Church, a Russian "entrepreneur," a dying gangster, and a Nazi who has escaped the wartime tribunals for nearly six decades - pursue it for their own means. All believe the icon to be a source of fantastic and inexplicable power, and all were somehow connected to the events that transpired in a small Greek village during World War II. As he experiences the peculiar resonance of the icon, and sees the hold it has on others, Matthew begins to understand that the only way out of his entanglement is to discover what really happened in that Greek village sixty years earlier. And he will soon be forced into a harrowing situation where he must decide who lives and who dies, and will have to reexamine virtually every aspect of his life - the loyalties within his family, his feelings for Ana, and even the question of his own faith.
Is the icon chiefly a relic of historic and artistic significance? Or is it something more still - a vessel imbued with the spirit and power of Christ himself?

Literary agent Olson (of the Donadio & Olson Literary Agency) moves to the other side of the desk with this gripping, intelligent first novel of art thievery, treachery and revenge. It's 1944, and a group of Greek partisans are hiding from the Germans near the village of Katarini. Their leader has put into play a scheme involving a German officer who wants to trade a cache of weapons that will be used to fight the Communists after the war for a painted icon known as the Holy Mother of Katarini. The plan goes awry, and the ancient Byzantine icon disappears, only to resurface 56 years later on the wall of a private chapel in the New York City home of a Swiss banker named Kessler. After Kessler dies, various parties—the Greek Orthodox Church, the Metropolitan Museum of Art, an elderly Greek gangster and other mysterious characters—vie to acquire the icon, which is said to posses paranormal powers. Kessler's granddaughter Ana and young Matthew Spear, an assistant curator at the Met, are swept up in the tangled plots to buy or steal the icon. The story twists back and forth between wartime Greece and the present day as the history of the icon and the men who lust for it is gradually revealed. Only the violent and inevitable end brings understanding and a measure of peace to those under the icon's spell. Agent, Sloan Harris. (May)
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In this debut thriller, the fast-paced action moves between a Greek village during World War II and the contemporary art scene in New York. There is also--no doubt with the popularity of The Da Vinci Code in mind--a patina of religious wonder shrouding the story. Two elderly friends/rivals, who fought both Communists and Nazis in Greece, are related by blood, broken dreams, and their quest to track down a religious icon, a Byzantine panel of the Virgin Mary reputed to have mystical healing powers. The grandson of one and the godson of another, Matthew Spear, is an art historian at the Met, and when the icon surfaces after the death of a collector, Matthew finds himself caught up in its deadly wake. Although both plot strands are nicely developed, it sometimes takes so long to get back to the World War II story that readers may forget who's who. Yet the evolution of the characters holds our attention, the action is gripping, and the quest for the ever-illusive icon provides just the right gossamer string to tie it all together. Ilene Cooper
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