Identity Politics in George Lucas' Star Wars (Paperback). This item is unavailable.
Language: English
Published by McFarland & Co Inc, Jefferson, NC, 2016
- Softcover
- New

Seller: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Condition: New
US$ 63.49
Item description from seller
Paperback. George Lucas spoke about the didactic role of cinema and about his own work being presented through the "moral megaphone" of the film industry. A considerable body of scholarship on the six-part Star Wars series argues (unconvincingly) that the franchise promoted neo-conservatism in American culture from the late 1970s onward. But there is much in Lucas' grand space opera to suggest something more ideologically complex is going on. This book challenges the view of the saga as an unambiguously violent text exemplifying reactionary politics, and discusses the films' identity politics with regard to race and gender. George Lucas spoke about the didactic role of cinema and about his own work being presented through the moral megaphone of the film industry. This book challenges the view of the saga as an unambiguously violent text exemplifying reactionary politics and discusses the films' identity politics with regard to race and gender. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…
Seller Inventory # 9781476662862
- Title
- Identity Politics in George Lucas' Star Wars (Paperback)
- Author
- John C. McDowell
- Publisher
- McFarland & Co Inc, Jefferson, NC
- Publication year
- 2016
- Condition
- new
- Binding
- Paperback
- Language
- English
- ISBN 10
- 147666286X
- ISBN 13
- 9781476662862
George Lucas spoke about the didactic role of cinema and about his own work being presented through the "moral megaphone" of the film industry. A considerable body of scholarship on the six-part Star Wars series argues (unconvincingly) that the franchise promoted neo-conservatism in American culture from the late 1970s onward. But there is much in Lucas' grand space opera to suggest something more ideologically complex is going on. This book challenges the view of the saga as an unambiguously violent text exemplifying reactionary politics, and discusses the films' identity politics with regard to race and gender.
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