Image Problems: The Origin and Development of the Buddha's Image in Early South Asia (McLellan Endowed Series xx)

DeCaroli, Robert Daniel

ISBN 10: 0295994568 / ISBN 13: 9780295994567

Published by University of Washington Press, 2015

About this Item

Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.

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Bibliographic Details

• Title: Image Problems: The Origin and Development of the Buddha's Image in Early South Asia (McLellan Endowed Series xx)
• Publisher: University of Washington Press
• Publication Date: 2015
• Language: English
• ISBN 10: 0295994568
• ISBN 13: 9780295994567
• Binding: Hardcover
• Condition: very_good

About this title

Synopsis

This deft and lively study by Robert DeCaroli explores the questions of how and why the earliest verifiable images of the historical Buddha were created. In so doing, DeCaroli steps away from old questions of where and when to present the history of Buddhism’s relationship with figural art as an ongoing set of negotiations within the Buddhist community and in society at large. By comparing innovations in Brahmanical, Jain, and royal artistic practice, DeCaroli examines why no image of the Buddha was made until approximately five hundred years after his death and what changed in the centuries surrounding the start of the Common Era to suddenly make those images desirable and acceptable.

The textual and archaeological sources reveal that figural likenesses held special importance in South Asia and were seen as having a significant amount of agency and power. Anxiety over image use extended well beyond the Buddhists, helping to explain why images of Vedic gods, Jain teachers, and political elites also are absent from the material record of the centuries BCE. DeCaroli shows how the emergence of powerful dynasties and rulers, who benefited from novel modes of visual authority, was at the root of the changes in attitude toward figural images. However, as DeCaroli demonstrates, a strain of unease with figural art persisted, even after a tradition of images of the Buddha had become established.

About the Author

Robert DeCaroli is associate professor of art history at George Mason University.