Images in Mind: Statues in Archaic and Classical Greek Literature and Thought
Language: English
Published by Princeton University Press, 2001
- Hardcover
- Used

Condition: Used - Good
US$ 40.00
Quantity: 1 available
Add to basketItem description from seller
Jacket is in great condition, with no visible flaws apart from minor shelving wear. Cover is in excellent condition. Spine is shaken, but binding is secure. Pencil margin notes throughout, does not affect legibility of text. Pages are otherwise clean.
Seller Inventory # 1140950
- Title
- Images in Mind: Statues in Archaic and Classical Greek Literature and Thought
- Author
- Deborah Tarn Steiner
- Publisher
- Princeton University Press
- Publication year
- 2001
- Condition
- Good
- Dust jacket
- Very good
- Binding
- Hard cover
- Language
- English
- ISBN 10
- 0691044317
- ISBN 13
- 9780691044316
In archaic and classical Greece, statues played a constant role in people's religious, political, economic, aesthetic, and mental lives. Evidence of many kinds demonstrates that ancient Greeks thought about--and interacted with--statues in ways very different from our own. This book recovers ancient thinking about statues by approaching them through contemporary literary sources. It not only shows that ancient viewers conceived of images as more operative than aesthetic, but additionally reveals how poets and philosophers found in sculpture a practice ''good to think with.''
Deborah Tarn Steiner considers how Greek authors used images to ponder the relation of a copy to an original and of external appearance to inner reality. For these writers, a sculpture could straddle life and death, encode desire, or occasion reflection on their own act of producing a text. Many of the same sources also reveal how thinking about statues was reflected in the objects' everyday treatment. Viewing representations of gods and heroes as vessels hosting a living force, worshippers ritually washed, clothed, and fed them in order to elicit the numinous presence within.
By reading the plastic and verbal sources together, this book offers new insights into classical texts while illuminating the practices surrounding the design, manufacture, and deployment of ancient images. Its argument that images are properly objects of cultural and social--rather than purely aesthetic--study will attract art historians, cultural historians, and anthropologists, as well as classicists.
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