Images and Shadows: Part of a Life

Origo, Iris

ISBN 10: 0719521572 / ISBN 13: 9780719521577

Published by John Murray, 1971

About this Item

2nd printing. VG condition book with dust jacket. Unclipped DJ is clean, has fresh colours and has little wear to edges. Book has clean and bright contents, pen name fep, 278pp with B&W illustrations.

Seller Inventory # 9999-999107412019

Bibliographic Details

• Title: Images and Shadows: Part of a Life
• Publisher: John Murray
• Publication Date: 1971
• Language: English
• ISBN 10: 0719521572
• ISBN 13: 9780719521577
• Binding: Hardcover
• Condition: Very Good
• Dust Jacket Condition: Dust Jacket Included

About this title

Synopsis

The autobiography of Iris Origo, this book recounts her childhood divided between three different worlds, New York, Ireland and Italy; her marriage to Antonio Origo, and her work with refugee children, feeding partisans and helping Allied prisoners-of-war during the German occupation.

From the Back Cover

Iris Origo was born in 1902 and was instantly catapulted into a life of "unfair advantages of birth, education, money, environment and opportunity." But she used this birth-right wisely, and her legacy includes a string of books beloved and admired equally by historians, biographers, and readers.

Origo's mother, Lady Sybil Cuffe, married William Bayard Cutting in 1901, and when the family was not traveling to the far corners of the earth, Iris spent her youth in the ancestral estate on Long Island and in her grandfather's castle in Ireland. Her father died tragically when she was eight, and she continued her peripatetic life with her indefatigable mother and beloved governess. A woman who always knew her mind, in 1923 Origo bought La Foce, an entire valley, almost feudal in organization, in the Val d'Orcia of Tuscany. There for fifty years she worked tirelessly with her husband, improving the land and the lot of the peasants, saving endangered children from the brutal incursions of the Nazis, and writing history and memoirs that are still considered classics of the genre.

Origo was at once a woman of action and introspection, of boundless curiosity and endearing innocence. She wrote beautifully, thoughtfully, and lucidly. As Raymond Mortimer once observed of this book, "A masterly biographer here recounts her own story . . . and in this biography she is at her best."

"A small classic of autobiography . . . Origo recreates the lost mad wold of Bernard Berenson and the Anglo-American artistic coterie in Florence. She is marvelous at nuances of place and personality, writing with a subtle mingling of candor and affection that lingers in the mind." -- Fiona MacCarthy