In the Renaissance, spontaneous creation occupied an essential place in daily musical practices. With the help of varied sources (archival, theoretical, musical), this work proposes an evaluation of modalities of polyphonic improvisation from the fifteenth century to the middle of the seventeenth century.

About the Authors

Philippe Canguilhem est professeur de musicologie � l'universit� Toulouse - Jean-Jaur�s. Ses recherches concernent la musique de la Renaissance. Auteur de nombreuses publications dans des revues internationales, il a dirig� l'ouvrage Chanter sur le livre � la Renaissance (Turnhout, 2013) et �crit deux livres, Fronimo de Vincenzo Galilei (Paris, 2001) et Andrea et Giovanni Gabrieli (Paris, 2003).

Fr�d�rique Lemerle est directrice de recherche au CNRS et auteur de nombreux ouvrages et articles sur la th�orie architecturale, le vitruvianisme et la r�ception des antiquit�s (Les "Annotations" de Philandrier sur le "De Architectura de Vitruve, Livres I � IV, 2000 ; La Renaissance et les antiquit�s de la Gaule, 2005). Elle a cosign� avec Yves Pauwels L'Architecture � la Renaissance (1998) et L'Architecture au temps du baroque : 1600-1750 (2008). Elle dirige au CESR le programme Architectura.

Yves Pauwels, professeur d'histoire de l'art moderne au Centre d'�tudes sup�rieures de la Renaissance (universit� Fran�ois-Rabelais, Tours), a publi� de nombreux ouvrages et articles sur l'architecture en Europe � la Renaissance et au XVII^e si�cle.

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