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Zustandsbeschreibung: leichte Lagerspuren/minor shelfwear. (In)Visibility. Reflections upon Visibility and Transcendence in Theology, Philosophy and the Arts. Edited by Anna Vind, Iben Damgaard, Kirsten Busch Nielsen and Sven Rune Havsteen. The content of the book reconsiders the relation between visibility and transcendence. The focus is especially on the contribution to this issue from the theological tradition in protestant Europe between the 16th and the 21st Centuries. In the book a thematically broad field is covered embracing more than five centuries and a plurality of methods drawn from theology, philosophy, and the history and theory of art.The book is divided into five sub-themes: In the first and more fundamental part, 'The phenomenology of in-visibility', questions underlying the other four themes are sought defined or narrowed down. Here the modes of appearing/revealing or hiding of phenomena are reflected. In the second section of the book dealing with 'Language as a mode of revealing and hiding' the specific role of verbal expressions understood in a very broad sense is at the core: What is the fundamental understanding and use of language, when speaking of the ineffable? The third section about 'Human existence between visibility and invisibility' focuses on theological anthropology: its features and norms. The ambiguity of anthropological categories such as faith, rationality, imagination, memory and emotion play a prominent role in this context.Thefourth section concerning 'The manifestation of a 'beyond' in the arts' investigates transcendence in the arts. What are the theological discourses behind the religious uses of the different artistic media (i.e. images, music, liturgical inventory, architecture)? Finally in the fifth section concerning 'Visible community and invisible transcendence' one finds contributions working with the idea of 'vicarious representation'. - 25 contributions are structured by six topic fields: 1. Phenomenology of In-visibility; 2. Language as a Mode of Revealing and Hiding; 3. Human Existence between Visibility and Invisibility; 4. The Manifestation of a ?Beyond? in the Arts: Images; 5. The Manifestation of a ?Beyond? in the Arts: Music, Liturgical Inventory and Architecture; 6. Visible Community and Invisible Transcendence. - Contents: Arne Grøn: Phenomenology of In-visibility. - Jonna Bornemark: Visibility and Invisibility in a Phenomenological Trisection of Experience. - Gavin Flood: Becoming Invisible and the Formal Indication of the Religious Life. - George Pattison: Language and the Revelation of Silence. Reflections on Mystical Theology. - Iben Damgaard: "Look, there he stands - the god. Where? There. Can you not see him?" Poetic Refigurations of Christ in Kierkegaard and Dostoevsky. - Therese B. Solten: Hymn and Ending. The Scope of the Eyes of Faith in Grundtvig s Hymn "Velkommen igien Guds engle smaa". - Christine Helmer: To Refer or Not to Refer, That is the Question. - Antti Raunio: Inner and Outer Man in Luther's Thought. - Anna Vind: Hoc est, tua iusticia non est visibilis, non est sensibilis. Glaube und christliches Leben bei Luther. Mit einem kurzen Ausblick auf die lutherische Tradition in Dänemark. - Pierre Bühler: Homo absconditus und homo revelatus. Un-Sichtbarkeit als Herausforderung für die theologische Anthropologie. - Claudia Welz: Imago Dei. A Self-Concealing Image. - Olivier Boulnois: Beyond Image. Reading, Meditating, Venerating. Three Uses of Image. Luther and the Middle Ages. - Johann Anselm Steiger: Christus, Mensch, Bilder. Zur intermedialen Hermeneutik des Bildes bei Martin Luther und seinen barocken Erben. - Dietrich Korsch: Verborgenheit macht sichtbar. Ein Gedanke zur Ikonologie im Anschluss an Martin Luther. - Svein Aage Christoffersen: Homo invisibilis. - Sven Rune Havsteen: Moments of an Aesthetics of the Invisible: The sermo humilis. - Nils Holger Petersen: The Notion of an Imaginary Space in Music. Interpreting Mozarts Requiem in Liturgical,
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