Inferno (The Divine Comedy)
Language: English
Published by Modern Library, 2005
Series: Book 3 of 4 - The Divine Comedy
- Softcover
- Used

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- Title
- Inferno (The Divine Comedy)
- Author
- Dante
- Publisher
- Modern Library
- Publication year
- 2005
- Condition
- Very Good
- Binding
- Mass Market Paperback
- Language
- English
- ISBN 10
- 034548357X
- ISBN 13
- 9780345483577
- Illustrator
- Dore, Gustave
- Series
- Book 3 of 4: The Divine Comedy
An extraordinary new verse translation of Dante's masterpiece, by poet, scholar, and lauded translator Anthony Esolen
"Professor Esolen's translation of Dante's Inferno is the best one I have seen, for two reasons. His decision to use unrhymed blank verse allows him to come nearly as close to the meaning of the original as any prose reading could do, and allows him also to avoid the harrowing sacrifices that the demand for rhyme imposes on any translator. And his endnotes and other additions provoke answers to almost any question that could arise about the work." —A. Kent Hieatt
Arguably the greatest of poets, Dante is one of the most elusive and therefore one of the most difficult to adequately render into English verse. In the Inferno, Dante not only judges sin but strives to understand it so that the reader can as well. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem's line-by-line vigor and its allegorically and philosophically exacting structure, yielding an Inferno that will be as popular with general readers as with teachers and students. For, as Dante insists, without a trace of sentimentality or intellectual compromise, even Hell is a work of divine art.
In addition to a masterful verse translation, Esolen provides in each book of The Divine Comedy a critical Introduction, endnotes, and appendices containing Dante's most important sources—from Virgil to Saint Thomas Aquinas and more —that deftly illuminate the cultural and poetic universe the poet inhabited.
"Professor Esolen's translation of Dante's Inferno is the best one I have seen, for two reasons. His decision to use unrhymed blank verse allows him to come nearly as close to the meaning of the original as any prose reading could do, and allows him also to avoid the harrowing sacrifices that the demand for rhyme imposes on any translator. And his endnotes and other additions provoke answers to almost any question that could arise about the work." —A. Kent Hieatt
Arguably the greatest of poets, Dante is one of the most elusive and therefore one of the most difficult to adequately render into English verse. In the Inferno, Dante not only judges sin but strives to understand it so that the reader can as well. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem's line-by-line vigor and its allegorically and philosophically exacting structure, yielding an Inferno that will be as popular with general readers as with teachers and students. For, as Dante insists, without a trace of sentimentality or intellectual compromise, even Hell is a work of divine art.
In addition to a masterful verse translation, Esolen provides in each book of The Divine Comedy a critical Introduction, endnotes, and appendices containing Dante's most important sources—from Virgil to Saint Thomas Aquinas and more —that deftly illuminate the cultural and poetic universe the poet inhabited.
"Synopsis" may belong to another edition of this title.
About the Author
Anthony Esolen is the author of over twenty-five books and over 600 articles in both scholarly and general interest journals. A senior editor of Touchstone: A Journal of Mere Christianity, Esolen is known for his elegant essays on the faith and for his clear social commentaries. His articles appear regularly in Touchstone, Crisis, First Things, Public Discourse, The Catholic Thing, Chronicles, and Magnificat.
An accomplished poet in his own right, Esolen is known for his widely acclaimed three-volume verse translation of Dante's Divine Comedy (Modern Library) and for his verse translation of Tasso's Jerusalem Delivered (Johns Hopkins). His Ten Ways to Destroy the Imagination of Your Child has been described as "a worthy successor to C.S. Lewis's The Abolition of Man." And its sequel, Life Under Compulsion, has been called "essential reading for parents, educators, and anyone who is concerned to rescue children from the tedious and vacuous thing childhood has become." His recent books include Out of the Ashes: Rebuilding American Culture, Nostalgia: Going Home in a Homeless World, and, No Apologies: How Civilization Depends on the Strength of Men.
The grandson of Italian immigrants to America, Dr. Esolen was born and raised in the coal-mining country of Northeastern Pennsylvania. He received his B.A. from Princeton University, and his Ph. D. from the University of North Carolina, Chapel Hill. He is a professor of humanities and writer-in-residence at Magdalen College of the Liberal Arts in Warner, New Hampshire.
An accomplished poet in his own right, Esolen is known for his widely acclaimed three-volume verse translation of Dante's Divine Comedy (Modern Library) and for his verse translation of Tasso's Jerusalem Delivered (Johns Hopkins). His Ten Ways to Destroy the Imagination of Your Child has been described as "a worthy successor to C.S. Lewis's The Abolition of Man." And its sequel, Life Under Compulsion, has been called "essential reading for parents, educators, and anyone who is concerned to rescue children from the tedious and vacuous thing childhood has become." His recent books include Out of the Ashes: Rebuilding American Culture, Nostalgia: Going Home in a Homeless World, and, No Apologies: How Civilization Depends on the Strength of Men.
The grandson of Italian immigrants to America, Dr. Esolen was born and raised in the coal-mining country of Northeastern Pennsylvania. He received his B.A. from Princeton University, and his Ph. D. from the University of North Carolina, Chapel Hill. He is a professor of humanities and writer-in-residence at Magdalen College of the Liberal Arts in Warner, New Hampshire.
"About the title" may belong to another edition of this title.
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