Diese Anthologie versammelt 15 Beitr�ge internationaler Autorinnen und Autoren, die sich mit Fragen der Einschreibung und Institutionalisierung von Gender Studies in der Disziplin Kunstgeschichte auseinander setzen. Diskutiert werden einerseits die kunsthistorische Kanonbildung und die M�glichkeiten des Zugangs von K�nstlerinnen in das Kunstsystem. Anderseits werden transgressive, hybride Bilder von �Weiblichkeit� und �M�nnlichkeit� von der fr�hen Neuzeit bis in die Gegenwart untersucht sowie neuere Ans�tze postkolonialer und queerer Theorie vorgestellt.
Ce volume rassemble 15 contributions d’auteur-e-s de r�putation internationale qui abordent la question de l’inscription et de l’institutionnalisation des �tudes genre dans la discipline de l’histoire de l’art. La constitution des canons artistiques, tout comme les possibilit�s d’acc�s des femmes au syst�me artistique sont analys�es. Par ailleurs, les repr�sentations hybrides et transgressives de la � f�minit� � et de la � masculinit� � sont interrog�es de la Renaissance � nos jours, ainsi que les apports des �tudes post-coloniales et queer.
Written by authors of international repute, the 15 articles compiled here address the inscription and institutionalisation of gender studies in the field of art history. They analyze the formation of art-historical canons and the possibilities for women of accessing the art system. Moreover, they explore transgressive, hybrid images of �femininity� and �masculinity� from the early modern times to the present. Recent approaches in post-colonial and queer theory are also discussed.

About the Author:

Die Herausgeberinnen/Les responsables de la publication/The Editors: Kornelia Imesch, Privatdozentin an der Universit�t Z�rich und Dozentin mit Forschungsauftrag am Institute for Cultural Studies in the Arts an der Z�rcher Hochschule der K�nste.
Jennifer John, wissenschaftliche Mitarbeiterin am Institute for Cultural Studies in the Arts an der Z�rcher Hochschule der K�nste.
Daniela Mondini, wissenschaftliche Mitarbeiterin in der Graphischen Sammlung der Schweizerischen Nationalbibliothek in Bern; Dozentin f�r Kunst- und Architekturgeschichte des Mittelalters an der ETH Z�rich und an der Accademia di architettura in Mendrisio.
Sigrid Schade leitet das Institute for Cultural Studies in the Arts an der Z�rcher Hochschule der K�nste. Sie habilitierte sich 1994 zum Thema K�rpersprachen in der bildenden Kunst und Fotografie.
Nicole Schweizer, historienne de l’art, conservatrice du d�partement art contemporain au Mus�e cantonal des Beaux-Arts, Lausanne.

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