Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert (Musical Meaning and Interpretation)
Language: English
Published by Indiana University Press, 2017
- Softcover
- New
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
AbeBooks seller since March 25, 2015
Condition: New
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In English.
Seller Inventory # ria9780253030078_new
- Title
- Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert (Musical Meaning and Interpretation)
- Author
- Hatten, Robert S.
- Publisher
- Indiana University Press
- Publication year
- 2017
- Condition
- New
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0253030072
- ISBN 13
- 9780253030078
- Item weight
- 862 grams
- Series
- Book 17 of 21: Musical Meaning and Interpretation
"Robert Hatten's new book is a worthy successor to his Musical Meaning in Beethoven, which established him as a front-rank scholar . . . in questions of musical meaning. . . . [B]oth how he approaches musical works and what he says about them are timely and to the point. Musical scholars in both musicology and theory will find much of value here, and will find their notions of musical meaning challenged and expanded." ―Patrick McCreless
This book continues to develop the semiotic theory of musical meaning presented in Robert S. Hatten's first book, Musical Meaning in Beethoven (IUP, 1994). In addition to expanding theories of markedness, topics, and tropes, Hatten offers a fresh contribution to the understanding of musical gestures, as grounded in biological, psychological, cultural, and music-stylistic competencies. By focusing on gestures, topics, tropes, and their interaction in the music of Mozart, Beethoven, and Schubert, Hatten demonstrates the power and elegance of synthetic structures and emergent meanings within a changing Viennese Classical style.
Musical Meaning and Interpretation―Robert S. Hatten, editor
"Synopsis" may belong to another edition of this title.
About the Author
Robert S. Hatten is Professor of Music Theory at the University of Texas at Austin. He is author of Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation.
"About the title" may belong to another edition of this title.
Ria Christie Collections
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