Paperback. The origins of the vampire can be traced through oral traditions, ancient texts and archaeological discoveries, its nature varying from one culture to the next up until the 20th century. Three 19th century Irish writers--Charles Robert Maturin, Joseph Sheridan Le Fanu and Bram Stoker--used the obscure vampire of folklore in their fiction and developed a universally recognizable figure, culminating in Stoker's Dracula and the vampire of today's popular culture. Maturin, Le Fanu and Stoker did not set out to transform the vampire of regional folk tales into a global phenomenon. Their personal lives, national concerns and extensive reading were reflected in their writing, striking a chord with readers and recasting the vampire as distinctly Irish. This study traces the genealogy of the modern literary vampire from European mythology through the Irish literature of the 1800s. "Three 19th century Irish writers -- Maturin, Le Fanu and Stoker -- used the obscure vampire of folklore in their fiction and developed a universally recognizable figure, culminating in Stoker's Dracula and the vampire of today's popular culture. This study traces the genealogy of the modern literary vampire from European mythology through the Irish literature of the 1800s"-- Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Bibliographic Details

Title: The Irish Vampire (Paperback)
Publisher: McFarland & Co Inc, Jefferson, NC
Publication Date: 2017
Language: English
ISBN 10: 147666580X
ISBN 13: 9781476665801
Binding: Paperback
Condition: new

About this title

Synopsis

The origins of the vampire can be traced through oral traditions, ancient texts and archaeological discoveries, its nature varying from one culture to the next up until the 20th century. Three 19th century Irish writers--Charles Robert Maturin, Joseph Sheridan Le Fanu and Bram Stoker--used the obscure vampire of folklore in their fiction and developed a universally recognizable figure, culminating in Stoker's Dracula and the vampire of today's popular culture.

Maturin, Le Fanu and Stoker did not set out to transform the vampire of regional folk tales into a global phenomenon. Their personal lives, national concerns and extensive reading were reflected in their writing, striking a chord with readers and recasting the vampire as distinctly Irish. This study traces the genealogy of the modern literary vampire from European mythology through the Irish literature of the 1800s.

About the Author

Sharon M. Gallagher is an instructor of English at Penn State University's Behrend campus in Erie, Pennsylvania, where she teaches a variety of writing courses as well as mythology, science fiction and occult literature.

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