Hardcover. Transnational cultural hybrids of the Afro-AtlanticThe first full-length monograph of Houston-based visual artist Jamal Cyrus (born 1973), this publication features an overview of Cyrus practice of cobbling modern artifacts that trace the evolution of Black identity as it migrates across the African Diaspora, Middle Passage, jazz age and civil rights movements from the 1960s to now.Published to accompany Cyrus first career survey exhibition at the Blaffer Art Museum, the catalog includes materially diverse and conceptually charged textile-based pieces, assemblages, performances, installations, paintings and works on paper produced in the past two decades, including his ongoing Pride Records installation series.Together, these multidisciplinary artworks demonstrate Cyrus commemoration, translation and reactivation of sociopolitical struggles in African American historyforging a revised chronicle of histories, hybridity and redemption. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Bibliographic Details

Title: Jamal Cyrus: The End of My Beginning (Hardcover)
Publisher: Inventory Press LLC, NY
Publication Date: 2022
Language: English
ISBN 10: 1941753442
ISBN 13: 9781941753446
Binding: Hardcover
Condition: new

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Transnational cultural hybrids of the Afro-Atlantic

The first full-length monograph of Houston-based visual artist Jamal Cyrus (born 1973), this publication features an overview of Cyrus’ practice of cobbling modern artifacts that trace the evolution of Black identity as it migrates across the African Diaspora, Middle Passage, jazz age and civil rights movements from the 1960s to now.
Published to accompany Cyrus’ first career survey exhibition at the Blaffer Art Museum, the catalog includes materially diverse and conceptually charged textile-based pieces, assemblages, performances, installations, paintings and works on paper produced in the past two decades, including his ongoing Pride Records installation series.
Together, these multidisciplinary artworks demonstrate Cyrus’ commemoration, translation and reactivation of sociopolitical struggles in African American history―forging a revised chronicle of histories, hybridity and redemption.

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