I Joke Too Much - The Theatre Director's Tale

Rudman Michael

ISBN 10: 1919483233 / ISBN 13: 9781919483238

Published by Wordville, 2026

About this Item

nach der Bestellung gedruckt Neuware - Printed after ordering - In I Joke Too Much, the American-born director who helped shape British theatre takes you behind the scenes-from provincial playhouses to the bright lights of the National Theatre, Broadway and the West End.Along the way, Rudman meets brilliance, chaos, panic, genius and the occasional truly catastrophic audition often in the same afternoon.These are theatre tales with bite: auditions that spiral into farce, rehearsals that turn into rewrites, nights when everything goes wrong and somehow the show still works. There are run-ins with legends, moments of accidental truth and the director's constant tightrope walk between confidence and terror.Rudman tells it all with an unshowy generosity and a razor-sharp ear for human comedy. The result is funny, frank and unexpectedly tender: a portrait of an artist at work, and of a 'golden age' of theatre, remembered from the inside.

Seller Inventory # 9781919483238

Bibliographic Details

• Title: I Joke Too Much - The Theatre Director's Tale
• Publisher: Wordville
• Publication Date: 2026
• Language: English
• ISBN 10: 1919483233
• ISBN 13: 9781919483238
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 198W x 129H x 19D millimeters 198 millimeters width by 129 millimeters height by 19 millimeters depth
• Weight: 381 grams

About this title

Synopsis

In I Joke Too Much, the American-born director who helped shape British theatre takes you behind the scenes—from provincial playhouses to the bright lights of the National Theatre, Broadway and the West End.

Along the way, Rudman meets brilliance, chaos, panic, genius and the occasional truly catastrophic audition—often in the same afternoon.

These are theatre tales with bite: auditions that spiral into farce, rehearsals that turn into rewrites, nights when everything goes wrong and somehow the show still works. There are run-ins with legends, moments of accidental truth and the director’s constant tightrope walk between confidence and terror.

Rudman tells it all with an unshowy generosity and a razor-sharp ear for human comedy. The result is funny, frank and unexpectedly tender: a portrait of an artist at work, and of a “golden age” of theatre, remembered from the inside.