Journal of the Royal Musical Association. Volume 142, part 1, 2017.

Size: 8vo. [ii], 220pp. Publisher's printed paperback. As new. Comprises: i) ‘It Would Be without Error’: Automated Technology and the Pursuit of Correct Performance in the French Enlightenment by Rebecca Cypess; ii) Memories Spoken and Unspoken: Hearing the Narrative Voice in Dichterliebe by Andrew H. Weaver; iii) From Satirical Piece to Commercial Product: The Mid-Victorian Opera Burlesque and its Bourgeois Audience by Joanne Cormac; iv) Speaking German, Hearing Czech, Claiming Dvo?ák by Eva Branda; v) Nietzsche’s Critique of Musical Decadence: The Case of Wagner in Historical Perspective by Katherine Fry; vi) Confronting Opera in the 1960s: Birtwistle’s Punch and Judy by Heather Wiebe; review article "Manipulating Music at the Court of Elizabeth I" by Linda Phyllis Austern.