Kathleen Collins (Paperback)

Geetha Ramanathan

ISBN 10: 147444069X / ISBN 13: 9781474440691

Published by Edinburgh University Press, Edinburgh, 2020

About this Item

Paperback. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film withLosing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Seller Inventory # 9781474440691

Bibliographic Details

• Title: Kathleen Collins (Paperback)
• Publisher: Edinburgh University Press, Edinburgh
• Publication Date: 2020
• Language: English
• ISBN 10: 147444069X
• ISBN 13: 9781474440691
• Binding: Paperback
• Condition: new

About this title

Synopsis

A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins’s films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons.
Exploring the philosophical aspects of Collins’s films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking.

About the Author

Geetha Ramanathan is Professor of Comparative Literature at West Chester University where she teaches Comparative Literature, film and Women’s Studies (including Feminist Film and African American Film). Her interests include modernist, feminist and third world literature.