Keyframes: Popular Cinema and Cultural Studies

Amy Villarejo

ISBN 10: 0415202817 / ISBN 13: 9780415202817

Published by Taylor & Francis Mai 2001, 2001

About this Item

Neuware - Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies.The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include:\* Studying Ripley and the 'Alien' films\* Pedagogy and Political Correctness in Martial Arts cinema\* Judy Garland fandom on the net\* Stardom and serial fantasies: Thomas Harris's 'Hannibal'\* Tom Hanks and the globalization of stars\* Queer Bollywood\* Jackie Chan and the Black connection\* '12 Monkeys', postmodernism and urban space.

Seller Inventory # 9780415202817

Bibliographic Details

• Title: Keyframes: Popular Cinema and Cultural Studies
• Publisher: Taylor & Francis Mai 2001
• Publication Date: 2001
• Language: English
• ISBN 10: 0415202817
• ISBN 13: 9780415202817
• Binding: Buch
• Condition: Neu
• Dimensions: 253W x 182H x 25D millimeters 253 millimeters width by 182 millimeters height by 25 millimeters depth
• Weight: 962 grams

About this title

Synopsis

Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies.
The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include:
* Studying Ripley and the 'Alien' films
* Pedagogy and Political Correctness in Martial Arts cinema
* Judy Garland fandom on the net
* Stardom and serial fantasies: Thomas Harris's 'Hannibal'
* Tom Hanks and the globalization of stars
* Queer Bollywood
* Jackie Chan and the Black connection
* '12 Monkeys', postmodernism and urban space.

About the Author

Matthew Tinkcom is an Assistant Professor in the Department of English at Georgetown University. Amy Villarejo is an Assistant Professor in the Department of Theatre, Film and Dance at Cornell University.